Friday, February 28, 2014

## Download Ebook Resurrection: The Miracle Season That Saved Notre Dame, by Jim Dent

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Resurrection: The Miracle Season That Saved Notre Dame, by Jim Dent

Jim Dent, author of the New York Times bestselling The Junction Boys returns with the remarkable and inspiring story of one of the biggest comebacks in college football history.

In the 1960's, Notre Dame's football program was in shambles. Little did anyone know, help was on its way in the form of Ara Parseghian, a controversial choice for head coach―the first one outside of the Notre Dame "family." It was now his responsibility to rebuild the once-proud program and teach the Fighting Irish how to win again. But it was no small task.

The men of Notre Dame football were a bunch of unlikelies and oddballs, but Parseghian transformed them into a team: a senior quarterback who would win the Heisman Trophy; a five-foot-eight walk-on who would make first team All-American; an exceptionally rare black player, who would overcome much more than his quiet demeanor to rise to All-American, All-Pro, Hall of Famer, and to the Minnesota Supreme Court. Parseghian would change everything, from the uniforms and pads to the offensive strategy. It would be a huge gamble against great obstacles. But Ara Parseghian had that look in his eye….

New York Times bestselling author Jim Dent chronicles one of the greatest comeback seasons in the history of college football. Once again confirming his position as one of the top sports writers in the country, Dent brings the legends of Notre Dame football to life in an unforgettable story of second chances, determination, and unwavering spirit.

  • Sales Rank: #771913 in Books
  • Published on: 2010-08-31
  • Released on: 2010-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .72" w x 6.14" l, .81 pounds
  • Binding: Paperback
  • 336 pages

From Publishers Weekly
Ara Parseghian, Notre Dame's first "outsider" coach-non-Catholic, not a Notre Dame alum-turned around a failing football tradition when he joined the university in 1963. To capture the way it was and communicate the sense of immense anticipation that greeted the young, driven coach, author and journalist Dent (The Junction Boys), an avid fan, researched past programs led by the legendary Knute Rockne and others, a strategy that sets the stage for his nail-biting saga, but makes for a choppy first quarter. Once he settles into the season, Dent does a masterful job recreating games without ever forgetting the human details; for example, Parseghian's fierce integrity drove him to get rid of a remarkably promising player: "I hated to let a player like Dave go...but I could see the players walking a little taller. They knew that we were serious as we could be about turning the team around." Dent's characters take on the dimensions of true and winning people; by the time the where-are-the-now epilogue rolls around, readers will consider them something like old friends. 8 pages color photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Dent is an oral historian of the first rank.” ―USA Today

“Dent's characters take on the dimensions of true and winning people; by the time the where-are-they-now epilogue rolls around, readers will consider them something like old friends.” ―Publishers Weekly

“Dent's research was energized and textured and his writing is straightforward and engaging.” ―Chicago Sun Times

“We have an inspirational underdog saga, humor, pathos, tragedy, and triumph.” ―Booklist

“It hasn't been the easiest of times to be a Notre Dame fan, but if there is still a part of you that bleeds for the Fighting Irish, do yourself a favor and read Resurrection, by the great Jim Dent.” ―New York Post

“If there is anything to take from this book--besides it being a good, fast read--is the parallels that exists 45 years later.” ―Fort Wayne Journal-Gazette

“Resurrection picks up where Shake Down the Thunder and Leahy's Lads left off.” ―BleacherReport.com

“Football fans, regardless of their feelings toward the Fighting Irish, will enjoy this saga of a glorious era in college football.” ―BookReporter.com

About the Author

JIM DENT, a long-time award-winning journalist who covered the Dallas Cowboys for eleven years at the Dallas Times Herald and the Fort Worth Star-Telegram, has written seven books, including Twelve Mighty Orphans, and The Junction Boys, the New York Times bestseller and ESPN movie that remains a fan favorite to this day. Dent lives in Texas.

Most helpful customer reviews

14 of 14 people found the following review helpful.
ND 1964 - Onward to Victory
By Charles Gales
The Struggling Irish of Notre Dame closed out their disastrous 1963 season with a 2-7 record after losing to Syracuse at Yankee Stadium. Could things get any worse in the post-Leahy era? Fortunately, the Fighting Irish experienced a "Resurrection" in 1964 following the hiring of Ara Parseghian as head football coach.

Jim Dent does a masterful job of setting the scene with his account of the demise of the Notre Dame football program. His character development focuses on a group of lesser known players and follows them through their introduction to Ara and unexpected success in 1964. More familiar players (e.g. Huarte, Snow, Page and Lynch) appear throughout, but the amazing part of this story is in how Ara and his coaches were able to craft a plan and execute it with a group of players that had been totally demoralized by the previous regimes.

The controversial close of the 1964 season (at USC, of course) deepens the bond of friendship and teamwork in the underclassmen that manifests itself in a National Championship two years later. So much has been written about Notre Dame's championship seasons. This book is unique since it digs deep into how a program can be completely turned around (perhaps a blueprint for 2009?).

Dent's writing structure flows smoothly with generous use of direct quotes from team members. His game accounts are intensified by the personal struggles of the main characters. This book is a must-read for any fan of college football. It will also be enjoyed by anyone interested in how purpose-driven leadership can instill excellence in a group of young men.

8 of 8 people found the following review helpful.
Great Read about an Awesome Coach and Team -- A "Must Read" for College Football Fans (especially Domers!)
By Cinci Book Lover
If you love college football, you'll find this a great read -- and if you love Notre Dame, too, you'll be in heaven. The detailed and well researched story of how Ara developed as a coach and ended up at Notre Dame is terrific football history, as is the full story of the ugly ineptitude that was the ND football program just prior to his arrival. I'm an ND fan, but was only a toddler when all this was happening in the early 60's, so it was quite an eye-opener for me. There was so much I didn't know, including the fact that John Huarte won the Heisman trophy before receiving his first Monogram Award (varsity letter). Amazing! The triumphant comeback story of the '64 Irish is filled with heart-warming human interest stories and inspiration -- not the least of which is the recounting of how Ara came in and restored a sense of fairness and dignity, along with strategic and tactical excellence. I've met a handful of men who played for Ara and have always been awed by their deep love for and steadfast loyalty to him. Now I understand why. The book also touches on his later work fundraising to find a cure for Niemann-Pick disease (which claimed the lives of 3 of his son Michael's 4 children). There's much to be admired in Ara Parseghian, and Jim Dent does a beautiful job of documenting a true gentleman and the hugely successful turnaround he engineered at Notre Dame.

7 of 7 people found the following review helpful.
A universally good read that offers a fresh perspective on a surprising story
By Patrick Downey
Jim Dent's "Resurrection" will obviously appeal to any and all Notre Dame football fans. But I would recommend this book for all readers, from casual football fans to those who couldn't tell a pigskin from a frying pan. Dent brilliantly weaves the personal stories of Nick Rassas, Tony Carey, John Huarte and others into the fabric of Notre Dame's 1964 season, doing so with an unassuming and personal touch that appeals on a variety of levels.

Dent sets the stage for the 1964 season not only by giving a brief history of Notre Dame football up to that point (no small task indeed), but also by examining the unique stories of the players, coaches, and administrators prior to that fabled season. These stories cause the reader to identify with the players, to feel their frustration during the Kuharich years, and to feel everything slowly begin to turn with the new regime.

Equally as impressive, Dent presents a deeper look into Parseghian, beyond simply the coach's on-field successes. Dent follows Parseghian from Northwestern to Notre Dame, and shows a glimpse of Parseghian's amazement at the players he finds at Notre Dame, and also the priceless interactions between Parseghian and his assistant coaches. Dent is able to truly capture the cultural change that occurred at Notre Dame in 1964, and does so using personal stories and perspectives that engage the reader and create a sense of ownership in the story.

Ultimately, this book is an excellent behind-the-scenes account of a group of players, coaches and people, who truly brought out the best in each other. While this manifested itself on the football field in "Resurrection", I think this story would resonate with anyone, regardless of your football inclinations.

If you are a Notre Dame fan, you must read this book. If you are not a Notre Dame fan, or not even a football fan, I think you will be pleasantly surprised at how quickly you will find yourself invested in the young men chronicled in this book. You just may find yourself cheering along with and for their success. Kudos to Jim Dent for not only telling a wonderful story, but making his readers a part of "Resurrection" in the process.

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Thursday, February 27, 2014

? Free PDF Something Borrowed, Someone Dead: An Agatha Raisin Mystery (Agatha Raisin Mysteries), by M. C. Beaton

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Something Borrowed, Someone Dead: An Agatha Raisin Mystery (Agatha Raisin Mysteries), by M. C. Beaton

Gloria French was a jolly widow with dyed blonde hair, a raucous laugh and rosy cheeks. When she first moved from London to the charming Cotswolds hills, she was heartily welcomed. She seemed a do-gooder par excellence, raising funds for the church and caring for the elderly. But she had a nasty habit of borrowing things and not giving them back, just small things, a teapot here, a set of silverware there. So it's quite the shock when she is found dead, murdered by a poisoned bottle of elderberry wine. Afraid the murder will be a blight on the small town, Parish councillor, Jerry Tarrant, hires private detective Agatha Raisin to track down the murderer.

But the village is secretive and the residents resent Agatha's investigation. Of course that doesn't stop the ever-persistent Agatha from investigating and sticking her nose where no one wants it―especially as the suspect list grows. And, as if it isn't enough that Agatha's ex has reentered the picture, the murderer is now targeting Agatha!

With M.C. Beaton's Something Borrowed, Someone Dead the bossy, vain, and absolutely irresistible, Agatha Raisin continues to be a fan favorite.

  • Sales Rank: #812601 in Books
  • Brand: Brand: Minotaur Books
  • Published on: 2013-09-17
  • Released on: 2013-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.11" w x 6.05" l, .87 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The murder of Gloria French, a widow with an appetite for seduction and a penchant for borrowing but not returning things, sets off a calamitous chain of events in bestseller Beaton's lively 24th Agatha Raisin mystery (after 2012's Hiss and Hers). Keen for a speedy resolution to the case, Jerry Tarrant, head of the parish council in the Cotswolds village of Piddlebury, hires PI Agatha to investigate. In the course of interviewing villagers who might have done in Gloria by giving her a bottle of poisoned elderberry wine, plucky and persistent Agatha annoys someone enough to prompt an attempt on her life. Comic mishaps include an impromptu TV performance in which she tries to cook an omelet. A Miss Marple who enjoys drink, cigarettes, and men, Agatha displays a wit and sharp tongue that will continue to please her many fans. Agent: Barbara Lowenstein, Lowenstein Associates. (Sept.)

From Booklist
Some people love an English cream tea, in which clotted cream is lavished on crumpets in an artery-threatening way, and some people find cream teas incredibly cloying. Whatever side you’re on, you’ll recognize the same phenomenon—some say scrumptious, some say cloying—reading this cozy starring Agatha Raisin, a private eye in the Cotswolds. Beaton just about clobbers her readers over the head with multiple references to “the Cotswolds,” “the neighboring hamlet,” “the vicar’s wife.” There’s even a lady of the manor, who, we are told, is very much like Maggie Smith as the Dowager Duchess in Downton Abbey. The plot is fairly predictable: a newcomer to a tiny village with a bad habit of “borrowing” others’ belongings is found poisoned after drinking some pilfered wine. Agatha moves from pub to vicar’s house to manor house, questioning everyone in sight. Although this is set in today’s world, it seems very much like the world of the early twentieth century. Beaton’s Agatha Raisin series is extremely popular and, often, good fun. This one seems like a too-calculated cozy—except for the clotted-cream crowd. --Connie Fletcher

Review

“As always, M. C. Beaton presents us with an Agatha Raisin who manages to infuriate, amuse and solicit our deepest sympathies as we watch her blunder her way boldly through another murder mystery.” ―Bookreporter.com on Hiss and Hers

“I know I once vowed to read only Agatha Christie for a year, but I've cheated. My No. 1 mistress: M.C. Beaton and her Agatha Raisin whodunits. Agatha is like Miss Marple with a drinking problem, pack-a-day habit, and major man lust.” ―Entertainment Weekly on A Spoonful of Poison

“Few things in life are more satisfying than to discover a brand-new Agatha Raisin mystery.” ―Tampa Tribune

Most helpful customer reviews

13 of 14 people found the following review helpful.
This is NOT Agatha Raisin! To where has the author disappeared?
By MKA
I've read all the Agatha Raisin books and while there have been times when Agatha's pettiness, jealousy, and inability to get past her childhood issues get on one's nerves, I've enjoyed the series overall, although the character flaws grow tiresome. I was looking forward to this book and pre-ordered it for my Kindle. What an absolute piece of nonsense and trash it turned out to be! The conversations between characters did not flow, events jumped here, there, yonder, and wherever, Agatha was portrayed as a jealous, insecure, and totally vain person - there was no growth to the character at all and perhaps that's what I find so disheartening. If an author is going to write a series of continuing characters, one expects those characters to grow, learn some life lessons, and dare I say maybe mature? Unfortunately, Agatha is a tired repeat with nothing to redeem her actions.

I tend to agree with another reviewer that this book was written by a ghost writer . . . or perhaps by a computer program. It was hastily turned out and I had to force myself to finish it, something that rarely occurs. It has turned me off the author and I will no longer buy any more of her books. When one spends an exorbitant amount of money for a kindle edition of a book (upwards of over $10 USD) and gets trash in return, then it's time to stop buying. I cannot recommend it to anyone. If you feel you must read it, then borrow it. Do not put anymore money in Amazon's or the author's pocket! It just isn't worth it.

8 of 8 people found the following review helpful.
not up to the usual standard
By USA
Agatha Raisin is one of my favorite literary characters. However, in this book I wondered if the author had tired of the character and planned to kill her off. Normally, she is portrayed as a curmdgeonly matron who is a hopeless romantic. Why else would she give up a profitable career and start her own shoestring detective business in a small town? And she is forever searching for Mister Right in all the wrong places. However, in this book, she was a pathetic old woman lusting after everything in pants. And why add the whole part on a bunch of other old women being murderous wtches instead of the helpless old women they seemed to be? It was as though the book was just hurriedly cobbled together. This was the first book in the series that I actually didn't like and if Agatha continues to be portrayed as a pathetic and needy old woman, I think I will stop reading the series.

8 of 8 people found the following review helpful.
Who wrote this?
By Lady O
I'll bet you any amount of money it wasn't M.C. Beaton. The good news is that the technical writing has improved. (The past few books were plagued with choppy writing, lack of transition, and repetitive sentences.) All that is gone, and the sentences flow a little bit better. But what else is missing are the descriptive, characteristic dialogues, as well individual mannerisms of Agatha and the village regulars that made them the "people" that we have come to know. Agatha, Charles, Roy, Toni, James, Mrs. Bloxby, and the rest are all painted with the same brush, lacking any individual mannerisms at all. Further, the premise is as ridiculous as the conclusion -- in short, bland and boring and unbelievable. I do hate it when a series is taken over by a ghostwriter or writers as this so obviously was. Better to retire the series than hand loyal readers such pablum.

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Wednesday, February 26, 2014

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Why the West Rules--for Now: The Patterns of History, and What They Reveal About the Future, by Ian Morris

A New York Times Notable Book for 2011

Sometime around 1750, English entrepreneurs unleashed the astounding energies of steam and coal, and the world was forever changed. The emergence of factories, railroads, and gunboats propelled the West's rise to power in the nineteenth century, and the development of computers and nuclear weapons in the twentieth century secured its global supremacy. Now, at the beginning of the twenty-first century, many worry that the emerging economic power of China and India spells the end of the West as a superpower. In order to understand this possibility, we need to look back in time. Why has the West dominated the globe for the past two hundred years, and will its power last?

Describing the patterns of human history, the archaeologist and historian Ian Morris offers surprising new answers to both questions. It is not, he reveals, differences of race or culture, or even the strivings of great individuals, that explain Western dominance. It is the effects of geography on the everyday efforts of ordinary people as they deal with crises of resources, disease, migration, and climate. As geography and human ingenuity continue to interact, the world will change in astonishing ways, transforming Western rule in the process.

Deeply researched and brilliantly argued, Why the West Rules―for Now spans fifty thousand years of history and offers fresh insights on nearly every page. The book brings together the latest findings across disciplines―from ancient history to neuroscience―not only to explain why the West came to rule the world but also to predict what the future will bring in the next hundred years.

  • Sales Rank: #158606 in Books
  • Brand: PowerbookMedic
  • Published on: 2011-10-25
  • Released on: 2011-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x 1.35" w x 7.13" l, 1.70 pounds
  • Binding: Paperback
  • 768 pages
Features
  • Great product!

From Booklist
Only the supremely self-confident put forth all-encompassing theories of world history, and Morris is one such daredevil. An archaeologist by academic specialty, he advances a quasi-deterministic construct that is suitable for nonacademics. From a repeatedly enunciated premise that humans by nature are indolent, avaricious, and fearful, Morris holds that such traits, when combined with sociology and geography, explain history right from the beginning, when humanity trudged out of Africa, through the contemporary rivalry between China and America. Such temporal range leaves scant room for individual human agency: Morris names the names of world history, but in his narrative, leaders and tyrants, at best, muddle through patterns of history that are beyond their power to shape. And those patterns, he claims, can be numerically measured by a “social development index” that he applies to every epochal change from agriculture to the industrial revolution. However, the reading is not as heavy as it may sound. His breezy style and what-if imagination for alternative scenarios should maintain audience interest; whether his sweeping perspective convinces is another matter altogether. --Gilbert Taylor

Review

“Morris is a lucid thinker and a fine writer. . .possessed of a welcome sense of humor that helps him guide us through this grand game of history as if he were an erudite sportscaster.” ―Orville Schell, The New York Times Book Review

“An excellent and amusing survey of the last [fifty] thousand years or so of human history.” ―Jane Smiley, The Washington Post

“The greatest nonfiction book written in recent times.” ―The Business Standard

“A pathbreaking work that lays out what modern history should look like.…Entertaining and plausibly argued.” ―Harold James, Financial Times (London)

“In an era when cautious academics too often confine themselves to niggling discussions of pipsqueak topics, it is a joy to see a scholar take a bold crack at explaining the vast sweep of human progress. . .
Readers of Why the West Rules―For Now are unlikely to see the history of the world in quite the same way ever again. And that can't be said of many books on any topic. Morris has penned a tour de force.” ―Keith Monroe, The Virginian-Pilot

“Readers of Why the West Rules--For Now are unlikely to see the history of the world in quite the same way ever again. And that can't be said of many books on any topic. Morris has penned a tour de force.” ―Keith Monroe, The Virginian-Pilot

“If you read one history book this year, if you read one this decade, this is the one.” ―Tim O' Connell, The Florida Times-Union

“A monumental effort...Morris is an engaging writer with deep insights from archaeology and ancient history that offer us compelling visions about how the past influences the future.” ―Michael D. Langan, Buffalo News

“A remarkable book that may come to be as widely read as Paul Kennedy's 1987 work, ‘The Rise and Fall of the Great Powers.' Like Mr Kennedy's epic, Mr Morris's ‘Why the West Rules--For Now' uses history and an overarching theory to address the anxieties of the present . . . This is an important book--one that challenges, stimulates and entertains. Anyone who does not believe there are lessons to be learned from history should start here.” ―The Economist

“Morris' new book illustrates perfectly why one really scholarly book about the past is worth a hundred fanciful works of futurology. Morris is the world's most talented ancient historian, a man as much at home with state-of-the-art archaeology as with the classics as they used to be studied . . . He has brilliantly pulled off what few modern academics would dare to attempt: a single-volume history of the world that offers a bold and original answer to the question, Why did the societies that make up 'the West' pull ahead of 'the Rest' not once but twice, and most spectacularly in the modern era after around 1500? Wearing his impressive erudition lightly -- indeed, writing with a wit and clarity that will delight the lay reader -- Morris uses his own ingenious index of social development as the basis for his answer.” ―Niall Ferguson, Foreign Affairs

“A formidable, richly engrossing effort to determine why Western institutions dominate the world . . . Readers will enjoy [Morris's] lively prose and impressive combination of scholarship . . . with economics and science. A superior contribution to the grand-theory-of-human-history genre.” ―Kirkus Reviews (starred review)

“Ian Morris has returned history to the position it once held: no longer a series of dusty debates, nor simple stories--although he has many stories to tell and tells them brilliantly--but a true magister vitae, ‘teacher of life.' Morris explains how the shadowy East-West divide came about, why it really does matter, and how one day it might end up. His vision is dazzling, and his prose irresistible. Everyone from Sheffield to Shanghai who wants to know not only how they came to be who and where they are but where their children and their children's children might one day end up must read this book.” ―Anthony Pagden, author of Worlds and War: The 2,500-Year Struggle Between East and West

“This is an astonishing work by Ian Morris: hundreds of pages of the latest information dealing with every aspect of change. Then, the questions of the future: What will a new distribution bring about? Will Europe undergo a major change? Will the millions of immigrants impose a new set of rules on the rest? There was a time when Europe could absorb any and all newcomers. Now the newcomers may dictate the terms. The West may continue to rule, but the rule may be very different.” ―David S. Landes, author of The Wealth and Poverty of Nations

“Here you have three books wrapped into one: an exciting novel that happens to be true; an entertaining but thorough historical account of everything important that happened to any important people in the last ten millennia; and an educated guess about what will happen in the future. Read, learn, and enjoy!” ―Jared Diamond, Professor of Geography at UCLA, and Pulitzer Prize–winning author of Guns, Germs, and Steel, Collapse, and Natural Experiments of History

“Ian Morris is a classical archaeologist, an ancient historian, and a writer whose breathtaking vision and scope make him fit to be ranked alongside the likes of Jared Diamond and David Landes. His magnum opus is a tour not just d'horizon but de force, taking us on a spectacular journey to and from the two nodal cores of the Euramerican West and the Asian East, alighting and reflecting as suggestively upon 10,800 BC as upon AD 2010. The shape of globalizing history may well never be quite the same again.” ―Paul Cartledge, A. G. Leventis Professor of Greek Culture, Clare College

“At last--a brilliant historian with a light touch. We should all rejoice.” ―John Julius Norwich

“Deeply thought-provoking and engagingly lively, broad in sweep and precise in detail.” ―Jonathan Fenby, author of Modern China: The Fall and Rise of a Great Power, 1850 to the Present

“Morris's history of world dominance sparkles as much with exotic ideas as with extraordinary tales. Why the West Rules--for Now is both a riveting drama and a major step toward an integrated theory of history.” ―Richard Wrangham, author of Catching Fire: How Cooking Made Us Human

“The nearest thing to a unified field theory of history we are ever likely to get. With wit and wisdom, Ian Morris deploys the techniques and insights of the new ancient history to address the biggest of all historical questions: Why on earth did the West beat the Rest? I loved it.” ―Niall Ferguson, author of The Ascent of Money

About the Author

IAN MORRIS is Willard Professor of Classics and History at Stanford University. He has published ten scholarly books, including, most recently, The Dynamics of Ancient Empires, and has directed excavations in Greece and Italy. He lives in the Santa Cruz Mountains in California.

Most helpful customer reviews

248 of 261 people found the following review helpful.
Like playing Sid Meier's Civilization
By Bernard Kwan
As can be seem by both the summary and and various book reviews, this is big history, encompassing the dawn of the first homonids (or ape-men as the author put it) to present day, with a chapter conjecturing about the future.

I was going to try and compare it to some of books in the same genre that I have read, but this book takes, disproves and/ or builds on their arguments - books such as Kennedy's Rise and Fall of the Great Powers, Jared Diamond's Guns, Germs and Steel, Pommeranz's the Great Divergence, Landes' The Wealth and Poverty of Nations - and they are all cited in his book and Morris takes pains to show how they only focus on one small piece of the picture. Indeed the feeling of reading this must have been similar for those who read Marx's Das Kapital for the first time (although the language is much more accessible and the conclusion is open ended) in that it attempts to set out underlying laws of history.

In the words of the author - "History is not one damn thing after another, it is a single grand and relentless process of adaptations to the world that always generate new problems (in the form of disease, famine, climate change, migration and state failure) that call for further adaptations. And each breakthrough came not as a result of tinkering but as a result of desperate times, calling for desperate measures." There may be set backs and hard ceilings, with free will and culture being the wildcards that may hinder social development but eventually the conditions give rise to ideas that allow progress to be made.

Indeed the motor of progress is not some economic logic, but what he calls the Morris Theorem - (expanding an idea from the great SF writer Robert Heinlein) to explain the course of history - Change is caused by lazy, greedy frightened people (who rarely know what they are doing) looking for easier more profitable and safer ways to do things. And it is geography that is the key determining factor where something develops first - Maps, not Chaps.

Now all this sounds academic and boring and in the case of the Morris theorem a little oversimplistic, but the presentation definitely is not. As professor Jared Diamond states, it is like an exciting novel (told by a cool eccentric uncle) and he uses a wide range of popular media to support his case, at one point talking about the movies Back to the Future, 300, the Scorpion King or making references to novels such as the Bonesetters Daughter and Clan of the Cave bear to bring conditions to life. Indeed the emotional similarities (and sheer sense of fun!) to playing early versions of the Sid Meier's Civilization Computer Game are uncanny.

There is a wide range of material here to satisfy a range of interests - his summaries of the fossil record, and early middle eastern and Chinese history are succinct and clear. Especially on the Chinese side, I had to read 2 books - the Golden Age of Chinese Archaelogy and the Cambridge History of Ancient China to gain the same understanding of what he summarizes in about 7-8 pages. He discourses on the role of the Axial religions, on whether democracy was important to the rule of the west, the role of free will in history, and on provocative ideas like the Qin and Roman empires expemplifing what he calls the paradox of violence: when the rivers of blood dried, their imperialism left most people, in the west and the east better off. I could go on and on and, of course, there may be many experts who take issue with his interpretations (and his predictions) but it will definitely stimulate thinking.

If I had to make a criticism of the book - it is that, like Marx, it is fundamentally materialistic in its approach, ideas are like memes that facilitate social development and culture is something that can help or hinder development but has no value in itself. The great religious ideas are glossed over as a product of or reaction to their times. It has precious little to say about the spiritual life and spiritual discoveries such as ethics, meditation or psychology. It may be these discoveries and qualities that will be required to get us through the challenges - of climate change, overpopulation, resourse shortages and potential nuclear war.

It is worthwhile comparing the book to two writings that he cites as inspiration (1) Herbert Spencer - Progress its Law and Cause and (2) Isaac Azimov's Foundation series. In each case they try to identify the forces that drive humanity but Spencer just doesn't have the data in the 19th century and the historian Hari Seldon is joke amongst professional historians as the novels seem so implausibly optimistic about what history can do. I don't know if Ian Morris has succeeded in identifying the laws of history but this book could only have been written now, at the end of the first decade of the 21st Century, drawing together the strains from archaeology, genetics, linguistics as well as sociology and economics to create something altogether new and wonderful and accessible to that elusive thing - the educated lay reader.

231 of 257 people found the following review helpful.
Fascinating as a history book, failure in terms of its target
By PK
It is hard to decide how many stars to assign to this book. Ian Morris' book would deserve 5 stars if it were merely a world history book. It succeeds in creating a unified, comprehensible narrative of world history from the stone age to the present day in a way that no other book I am aware of has done. For this reason, it would deserve to be classified as a classic.

However, on the other hand, the aim of Ian Morris has not been to write a comprehensive history of the the major world civilizations from the stone age to the present. It has been to explain the Western predominance of the last centuries and to predict what the future will look like. His discussion of the future is quite admirable and thoughtful indeed. However, I have found his answer to the central question the book poses to fall below ordinary academic standards on two fronts: it trivializes the question, and lacks novelty.

1. It trivializes the question. The central question of the book is answered by an argument of geographic reductionism and determinism. In short, the Western "rule" of the last few centuries is attributed to the shorter breadth of the Atlantic Ocean as opposed to the Pacific. This shorter breadth made the Americas more easily accessible to Europeans than to Asians, hence the former created an Atlantic economy, therefore faced different challenges than the latter, responded to them by the scientific and industrial revolutions, and hence rule. I find this argument to be rather simplistic, and I do not think that there was a need to write such a long book if its sole purpose was to put this argument down (after all, it has been said before - see below). The problem with this argument is that it stops exactly where the truly important questions should be asked. A case in point is Columbus: the author makes fun of him, calling him the best candidate for a "bungling idiot", because he thought he had arrived to the (by then obsolete) "land of the Great Khan", while he had only reached Cuba. However, the author fails to notice that Columbus did not reach the Americas merely due to the short breadth of the Atlantic Ocean: he ventured in the open sea aiming to sail as long as it took him to reach the other end of Eurasia, knowing that he should end up there eventually. Even if he had to cross the Pacific instead of the Atlantic, there is a high chance he would make it. It is surprising that, while the author tackles so many "what if" scenaria to prove his thesis, he fails to consider this fundamental "what if" question for his main argument: Would Columbus fail to reach the Americas if he had had to cross the Pacific instead? Given that Magellan did cross both the Atlantic and the Pacific a few years later, the answer appears to be in the negative. This observation by itself appears sufficient to refute the author's trivial main argument. The same reasoning applies to several other arguments in the book. For example, the author tries to argue that Newton thought what he thought because of the Atlantic economy, and he has no room for any cultural factor in it; he maintains that "each age gets the thought it needs". In essence, he maintains that thought is geographically determined. I find this fancy argument hard to accept, as I have not seen any convincing evidence for it. Last, but not least, some of the claims in the book are factually wrong: he attributes the invention of the wheelbarrow to China and claims that it was brought to Europe in the Middle Ages; however, there is evidence of wheelbarrows in construction sites in Ancient Athens.

2. It lacks novelty. The central argument of geographic reductionism and determinism that Ian Morris espouses is not new. It has been made by Jared Diamond in "Guns, Germs, and Steel" and by J. M. Blaut in "Eight Eurocentric Historians" before. Surprisingly, the author fails to give proper credit to these authors for making similar arguments, although he does at least cite Diamond. Moreover, the so-called "advantage of backwardness" of Western Europe, which forms a secondary argument in the author's thesis, has also been made by Patricia Crone in "Pre-industrial Societies". At least Morris does a good job of bringing these arguments together in a coherent way, but does not go beyond them to deeper issues that need to be addressed (as discussed above).

38 of 39 people found the following review helpful.
From ape-men to, perhaps, the Singularity
By Jay C. Smith
Ian Morris' Why the West Rules is certainly audacious. As the subtitle suggests, Morris ventures to explain all of human history and, apparently still unsatisfied, to see into the future as well. He appears to have read widely and deeply to match his scholarship to his ambition. His exposition is clear and often seasoned with a light touch.

This is not the sort of book many will be inclined to read fully in just a few long stretches, but on balance it is likely to engage and challenge persons with a serious interest in mega-history. While some specialists in particular domains (say the British industrial revolution, for example) may disagree with some of Mr. Morris' interpretations or find them insufficiently nuanced, that is to be expected for works of broad historical synthesis such as this one.

Morris starts with pre-human "ape-men" (he can turn a phrase) and traces comparative East-West "social development" to the present and beyond. He has devised his own method for measuring it, a quantitative index that takes into account (1) energy capture (calories used); (2) organization, as measured by urbanization; (3) information processing, represented by literacy rates; and (4) the capacity to make war. He graphically plots his estimates of the index scores of the East versus those of the West since 14,000 BCE. The main body of the text describes the historical forces and events underlying the graphical patterns.

There are many objections that might be raised against the quantitative index and Morris is aware of them. He has stated that he nevertheless chose to construct it to help make more explicit what he means when he describes social development in any given period or region. In my opinion, he could have well done without it: it leaves an overall impression of being artificially contrived and unnecessary, a sort of Rube Goldberg approach to assessment of historical development.

Moreover, the question of who was "ahead" in any given epoch, East or West, turns out to be rather secondary to the salient lessons Morris draws from the sweep of history. There is no "long-term lock-in," he concludes, no factor established long-ago that has subsequently determined comparative advantage in perpetuity. The "five horsemen of the apocalypse" -- climate change, disease, famine, migration, and state failure -- have at times radically disrupted development and could do so again. So too, ascendant regions face the "paradox of social development" -- adaptations create new problems that call for further adaptations, possibly undermining the very forces that contributed to past success. Prior backwardness can even become advantageous (for a contemporary example think of low wages as an attraction to capital investment in China, an "advantage" that is eroding as Chinese development progresses).

His rejection of long-term lock-in theories is creditable and well-supported, but Morris also contends that short-term accidents and human leadership do not matter much either in the longer term. We could substitute "bungling idiots" for great men or vice-versa, he says, and at most things may have moved at a different pace to the same destination. Nor, in his opinion, do ideas or culture ultimately help shape development; rather, it is the other way around. These views are contestable, at the very least, and are bound to elicit objections from many other historians.

For Morris the operative factors are biology and sociology, which explain global similarities, and geography, which explains regional differences. Geography has determined the probabilities of where development would rise fastest, but social development changes what geography means, he proposes. For instance, when social development reached the stage where trans-oceanic commercial voyages were feasible, Western societies positioned on the Atlantic gained geographic advantages that in turn spurred further development.

How is it, then, that the long history of comparative development might inform our current prognoses? Morris projects that his index will soar, but faster in the East than the West, with a crossover to Eastern leadership by 2103 at the latest (he is that precise). Yet, according to Morris, the East-West framework may or may not turn out to matter much. Perhaps there will be an all-out East-West war, where even winning would be catastrophic, or maybe arguments about "who rules" will become passé as we will see a need to cooperate further to address global problems.

Morris shifts gears and reframes the question. As he sees it, the world's future pretty much comes down to two possibilities: "Nightfall" or the "Singularity." If we can hold off the worst-case climate change outcomes and nuclear disaster (Nightfall) long enough, he suggests, we might morph into a post-human species (Ray Kurzweil's Singularity, where the full contents of our brains can be uploaded into computers), which he seems to regard as salvation.

I have to say I found this eventual conclusion to be a bit surprising, even peculiar, a big leap from where readers were left before reaching the final chapter. The chasm underscores a fundamental antinomy in Morris' message: we should study history to prepare for the future, but development will now accelerate so fast that history will leave us unprepared.

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Tuesday, February 25, 2014

^^ Download PDF This Time Tomorrow: A Novel, by Michael Jaime-Becerra

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This Time Tomorrow: A Novel, by Michael Jaime-Becerra

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This Time Tomorrow: A Novel, by Michael Jaime-Becerra

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This Time Tomorrow: A Novel, by Michael Jaime-Becerra

Winner of an International Latino Book Award for Best Novel!

Gilbert Gaeta, a forklift operator in a dairy, can barely make payments on the house where he lives with his thirteen-year-old daughter, Ana. When a month of overtime shifts comes his way, he begins to envision a new life, one in which he can save enough money for an engagement ring and finally propose to his girlfriend, Joyce. He works the night shift, exhausted but making good money, and it's looking like his plan will work. Then Ana is chased home from the Laundromat by bullies, and she begins pushing him to buy a washer and dryer. Gilbert tries to stay firm, but when Ana's trouble follows her to school, the pressure mounts to put her first, and delay his future with Joyce.

Joyce, who at thirty-six has never lived on her own, can't move out of her father's traditional Mexican house until she is married. Feeling her life with Gilbert slipping away, she starts to despair. And then one day, standing before her impressive collection of vintage purses, she sees a way to take control of her future. But it won't be easy.

Writing from three distinct and equally moving perspectives, award-winning author Michael Jaime-Becerra tells a story about the painful balance between love and responsibility. An intimate and poignant first novel, This Time Tomorrow casts a new light on Southern California's working class and its struggles for happiness.

  • Sales Rank: #4748311 in Books
  • Published on: 2010-02-16
  • Released on: 2010-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .81" w x 5.50" l, .83 pounds
  • Binding: Hardcover
  • 304 pages

From Publishers Weekly
The struggling Mexican-American families depicted in Jaime-Becerra's debut will strike a chord with readers, but the intermittently moving narrative too often gets stuck in the spin cycle. Since his wife left him, Gilbert Gaeta has been supporting his 13-year-old daughter, Ana, with night shifts at a local dairy. Though he can barely pay his mortgage, he dreams of saving up to buy an engagement ring for his girlfriend, Joyce, so she'll move out of her father's house and in with him. But when Ana starts to complain about being bullied at the Laundromat, Gaeta must choose between his dreams and buying Ana the washer and dryer she wants. Meanwhile, Joyce looks after her controlling father and secretly plans to sell her beloved purse collection so she and Gaeta can start their life together on solid ground. Despite its 1988 setting, Gaeta and Joyce's struggles feel current, and their working-class lives solidly lived, though Joyce's sections suffer from the absence of well-rounded characters and her clunkily handled devotion to her purses. It's a decent enough first book, but nothing about it really stands out. (Feb.)
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From Booklist
Like his acclaimed short-story collection Every Night Is Ladies’ Night (2004), Jaime-Becerra’s debut novel is set in El Monte, a working-class Mexican American community in Southern California. Gilbert Gaeta, a single dad, works the night shift at the local dairy; his daughter, Ana, is 13 and struggling with the realization that her dad might marry again. Gaeta almost has enough saved for an engagement ring for Joyce, a cashier at the cable office who, at age 36, still lives with her domineering father. But, tired of dragging herself to the laundromat every Saturday, Ana hatches a plan to convince him to buy a washer-dryer combo instead, a plan with repercussions that reverberate throughout the novel. Jaime-Becerra brilliantly injects himself into each of these three characters, gradually revealing Gaeta’s insecurities about raising his daughter alone, Ana’s fears that he will love Joyce more than he does her, and Joyce’s apprehension about letting this chance at marriage pass her by. Packed with details of his characters’ barely scraping-by existence, Jaime-Becerra’s heartfelt debut brings an entire community vividly to life. --Deborah Donovan

Review

“'This Time Tomorrow' [is] the naturalistic, deeply empathetic tale of a forklift driver, Gilbert Gaeta, and his quest to fulfill his modest vision of the American immigrant dream, with his girlfriend, Joyce, and willful 13-year-old daughter Ana in tow. Threading his lyrical prose…with the hyper-realistic particulars of daily life, Jaime-Becerra elevates his struggling East L.A. Everyman to heroic heights. If John Cheever or William Trevor had spent their early careers living and typing away in a bungalow in the San Gabriel Valley, absorbing its sensations and getting to know its residents, this might be the result.” ―The Los Angeles Times

“'This Time Tomorrow' draws its central characters with great sympathy.” ―The New York Times Book Review

“Michael Jaime-Becerra writes about a southern California that not enough people know, and This Time Tomorrow opens a window and lets readers step through into this place he loves and details so carefully and lyrically. This is a place of hidden beauty and laughter and pain, and people who sing and lament, lovers who narrow their eyes and forge ahead, music that everyone should hear now.” ―Susan Straight, author of A Million Nightingales

“Scrupulously detailed and tough-minded, This Time Tomorrow is an anti-romance about the lack of money and its effect on regular working people. The world of Michael Jaime-Becerra's debut is one in which the possibility of overtime offers hope, and filling out a deposit slip is a victory.” ―Stewart O'Nan, author of Songs for the Missing

“What? No streety cholos from the 'hood, no desperate, sad illegals broken by the other side, no charming, magical poverty? Michael Jaime-Becerra instead has ordinary Angelenos living ordinary American lives. Is that crazy or what? Jaime-Becerra is carrying on a tradition of literature that cuts deep into the American psyche, one that only happens to be Mexican-American.” ―Dagoberto Gilb, PEN/Hemingway Award-winning author of The Flowers

Most helpful customer reviews

2 of 3 people found the following review helpful.
Not What It Seemed
By Reader64
The cover and inside jacket are the best things about this book. Apparently, the author is a better short-story author than a novelist. This book seemed to have so much promise, but its descriptive flashbacks were tedious. The parallels between Anna and Joyce were believable and could have had more impact if Jaime-Becerra had shown more about the characters, rather than telling about them. This man should be paying his editor and publisher a ton of money for making the book look a lot more appealing than it was! It's truly too bad that Joyce and Ana were stuck in such a book.

0 of 1 people found the following review helpful.
Quiet drama kept me on the edge of my seat
By Krista Lukas
Gilbert Gaeta worked the night shift at a dairy and was raising his daughter, Ana, by himself since her mother had left them both. Gilbert's girlfriend, Joyce, had never left home, taking care of her father and working at the cable company for many years. This novel is their story, structured in three sections, each told from the point of view of one of them. The drama that unfolds takes on different hues in each section, yet the same clear, unpretentious language carries the story along.

Each of the character's stories is infused with details that make it rich and believable. I would have thought the author had first-hand experience working in a dairy, collecting purses, and working as a manicurist, among other things, for the way he describes the various settings and activities. For example, of valuables kept by a vendor at a flea market, Jaime-Beccarra writes "...earrings and pendants, old jewels cut to reflect differently than modern stone because they'd first existed in a time without artificial light." This is one of many obscure, telling details I enjoyed reading. I chose this particular phrase to include in my comments because it would actually be a good metaphor for the setting. The story takes place in the 1980's, a world without ubiquitous cell phones, caller ID, and internet---in short, a world where it was more likely for people to be out of touch for a few hours or a few days, and therefore one in which it was easier to keep secrets. The ease of keeping secrets is perhaps a detriment to Gilbert, Ana, and Joyce; they each deceive the others and thereby do damage they find it difficult, if not impossible, to undo. Like the jewels, this story reflects its times and its colors play out accordingly.

The father-daughter dynamic between Gilbert and Ana and between Joyce and her father is by turns loving, abusive, and sometimes estranged. For myself, as a daughter who loves her father deeply, I could relate to the complexity of that relationship. I was moved to tears by the ending pages, where the story pays off in scenes that are poignant and intense. Just the right amount was left to my imagination, and I chose to imagine the best for these characters, real people who will stay with me for a long time. This is the first book I've read by Michael Jaime-Beccerra and I definitely look forward to reading more.

2 of 4 people found the following review helpful.
Well-crafted and Detailed
By Washington
I really enjoyed This Time Tomorrow. I appreciate the care and attention the author gave his characters--and the specific details of their lives. For me, as a reader, this makes a big difference--it gives the novel an authenticity. The prose it thoughtful, detailed, and subtle. The author's depth of feeling for his characters shines through.

See all 3 customer reviews...

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Monday, February 24, 2014

> Free PDF Comet in Moominland (Moomins), by Tove Jansson

Free PDF Comet in Moominland (Moomins), by Tove Jansson

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Comet in Moominland (Moomins), by Tove Jansson

Comet in Moominland (Moomins), by Tove Jansson



Comet in Moominland (Moomins), by Tove Jansson

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Comet in Moominland (Moomins), by Tove Jansson

When Moomintroll learns that a comet will be passing by, he and his friend Sniff travel to the Observatory on the Lonely Mountains to consult the Professors. Along the way, they have many adventures, but the greatest adventure of all awaits them when they learn that the comet is headed straight for their beloved Moominvalley.

  • Sales Rank: #42977 in Books
  • Brand: Square Fish
  • Published on: 2010-04-27
  • Released on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.12" h x .56" w x 5.50" l, .36 pounds
  • Binding: Paperback
  • 192 pages

Review

“There is, in short, everything in the Moon books: giant comets and secret caves and tree houses and stilts and magic-carpet clouds and amusement parks run by despotic practical-joking kings and time machines and ski instructors.” ―Harper's

“We need Moominland for its gentle pace, its sense of beauty and awe, and its spirit of friendliness and empathy―now more than ever.” ―The Horn Book

“These charming fantasies are propelled by a childlike curiosity and filled with quiet wisdom, appealing geniality, and a satisfying sense of self-discovery.” ―School Library Journal.com

“If you had no shame reading Harry Potter on the subway, there's no need to hide Tove Jansson's witty, whimsically illustrated Finnish series.” ―Daily Candy

“The Moomin books make for both splendid bedtime read-alouds and solitary savoring.” ―Wall Street Journal

“It's more than forty years since Jansson's Moomintrolls first appeared. I found the writing and invention as appealing as ever. She has a thistledown touch.” ―The Washington Post Book World

“The adventures of the easygoing Moomintrolls have all the crispness and tart surprise of a lingonberry, thanks to Jansson's ineffably light touch, her uncanny sensitivity to universal childhood emotions, and her gift for terse, naturalistic dialogue.” ―Entertainment Weekly

“A gentle, offbeat fantasy.” ―The Horn Book

“A lost treasure now rediscovered . . . A surrealist masterpiece.” ―Neil Gaiman

“Jansson was a genius of a very subtle kind. These simple stories resonate with profound and complex emotions that are like nothing else in literature for children or adults: intensely Nordic, and completely universal.” ―Philip Pullman

“Tove Jansson is undoubtedly one of the greatest children's writers there has ever been. She has the extraordinary gift of writing books that are very clearly for children, but can also be enjoyed when the child, like me, is over sixty and can still find new pleasures with the insights that come from adulthood.” ―Sir Terry Pratchett

“Clever, gentle, witty, and completely engrossing.” ―Jeff Smith, author of Bone

“It's not just Tove Jansson's wonderfully strange fairytale world that so appeals but also her beautiful line work and exquisite sense of design.” ―Lauren Child

“[Tove Jansson] is a master.” ―The Times Literary Supplement (London)

“The most original works for children to be published since the Pooh books, and possibly, since Alice.” ―Saturday Review

“You will declare yourself a citizen of Moominvalley and call the stories your own--the Moomin world is that compelling.” ―Riverbank Review

About the Author

Tove Jansson (1914–2001) was born in Helsinki and spent much of her life in Finland. She is the author of the Moomin books. Born into an artistic family―her father was a sculptor and her mother was a graphic designer and illustrator―Jansson studied at the University College of Arts, Crafts and Design in Stockholm, the Finnish Academy of Fine Arts, and L'École des Beaux-Arts in Paris. In addition to her Moomin books, she also wrote several novels, drew comic strips and worked as a painter and illustrator. In 1966, she was awarded the Hans Christian Andersen Medal for her body of work. Jansson had a studio in Helsinki but spent most of her time at her home on a small island called Klovharu.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1
Which is about Moomintroll and Sniff
following a mysterious path to the sea,
pearl- fishing, the discovery of a cave, and
how the Muskrat avoided catching a cold.
The Moomin family had been living for some weeks in the valley where they had found their house* after the dreadful flood (which is another story). It was a wonderful valley, full of happy little animals and flowering trees, and there was a clear narrow river that came down from the mountain, looped round Moominhouse, and disappeared in the direction of
another valley, where no doubt other little animals wondered where it came from.
*It was painted blue. Moomin houses usually are. Translator.
One morning—it was the morning that Moomintroll’s pappa finished building a bridge over the river—the little animal Sniff made a discovery. (There were still plenty of things left for them to discover in the valley.) He was wandering in the forest when he suddenly noticed a path he had never seen before winding mysteriously into the green shadows. Sniff was spellbound and stood gazing at it for several minutes.
“It’s funny about paths and rivers,” he mused. “You see them go by, and suddenly you feel upset and want to be somewhere else—wherever the path or the river is going, perhaps. I shall have to tell Moomintroll about this, and we can explore it together, because it would be a bit risky for me to go alone.” Then he carved a secret sign on a tree trunk with his penknife, so that he could find the place again, and thought proudly: “Moomintroll will be surprised.” And after that he scooted home as fast as he could so as not to be late for lunch.
Moomintroll was just putting up a swing when Sniff got home. He seemed very interested in the mysterious path, and directly after lunch they set off to have a look at it.
Halfway up the hill on their way grew a clump of blue-trees covered with big yellow pears, and of course they couldn’t get past that without Sniff deciding that he was hungry.
“We’d better only take the windfalls,” said Moomintroll, “because mamma makes jam from these.” But they had to shake the tree a little so that there were some windfalls.
Sniff was very pleased with their haul. “You can carry the provisions,“ he said, “because you haven’t got anything else to do, have you? I’m too busy to think about things like that when I’m the Path Pioneer“
When they reached the top of the hill they turned and looked down at the valley. Moomin house was just a blue dot, and the river a narrow ribbon of green: the swing they couldn’t see at all. “We’ve never been such a long way from home before,“ said Moomintroll, and a little goose- fleshy thrill of excitement came over them at the thought.
Sniff started to snuffle about. He looked at the sun, felt the direction of the wind, sniffed the air, and in fact behaved in every way like a great Path Pioneer.
“It should be somewhere here,” he said busily. “I made a secret sign with my knife on a plum tree just where it began.”
“Could it possibly be here?” asked Moomintroll, pointing to a curly flourish on a tree trunk on the left.
“No! Here it is!” screamed Sniff, who had found another curly flourish on a tree trunk on the right.
At the same time they both caught sight of a third curly flourish on a tree trunk right in front of them, but it was terribly high up, at least three feet above the ground.
“That’s it, I’m sure,” said Sniff, stretching himself. “I must be taller than I thought!”
“Well, strike me pink!” exclaimed Moomintroll, looking around. “There are curly flourishes everywhere! And some of them are nearly a hundred feet up. I think you’ve found a haunted path, Sniff, and now the spooks are trying to stop us from using it. What do you say to that?”
Sniff didn’t say anything, but he got very pale about the nose. And at that moment a cackle of spooky laughter broke the silence, and down fell a big blue plum, which nearly hit Moomintroll in the eye. Sniff gave a screech of terror and ran for cover, but Moomintroll was just angry, and had decided to have a look for the enemy when, all of a sudden, he saw who it was. For the first time in his life he was face to face with a silk-monkey!
She was crouching in the fork of a tree: a small, dark, velvety ball. Her face was round and much lighter than the rest of her (about the color of Sniff’s nose when he had washed rather carelessly), and her laugh was ten times bigger than herself.
“Stop that horrible cackling!” shouted Moomintroll when he saw that she was smaller than he. “This is our valley. You can go and laugh somewhere else.”
“Wretched wretch!” muttered Sniff, pretending he hadn’t been frightened. But the silk-monkey just hung by her tail and laughed louder than ever. Then she threw some more plums at them and disappeared into the forest with a parting hoot of evil laughter.
“She’s running away!” screamed Sniff. “Come on— let’s follow her.” So off they rushed, scrambling headlong through bushes and brambles under a perfect rain of ripe berries and fircones, while all the little animals underfoot escaped into their holes as quickly as they possibly could.
The silk-monkey swung from tree to tree in front of them; she hadn’t enjoyed herself so much for weeks.
“Don’t you think it’s ridiculous (puff) to run after a silly little monkey like that,” panted Sniff at last. “I don’t see (puff) that she matters.”
Moomintroll agreed to this, and they sat down under a tree and pretended to be thinking about something important. The silk-monkey made herself comfortable in the fork of a tree above them and tried to look important too; she was having nearly as much fun as before.
“Take no notice of her,” whispered Moomintroll. Out loud he said: “Good spot this, isn’t it, Sniff?”
“Yes. Interesting-looking path, too,” Sniff answered.
“Path,” repeated Moomintroll thoughtfully. And then he suddenly noticed where they were. “Why, this must be the Mysterious Path,” he gasped.
It certainly looked most mysterious. Overhead the branches of the plum trees, oaks, and silver poplars met and formed a dark tunnel which led away into the unknown.
“Now, we must take this seriously,” said Sniff, remembering that he was the Path Pioneer. “I’ll look for by-paths, and you knock three times if you see anything dangerous.”
“What shall I knock on?” asked Moomintroll.
“Whatever you like,” said Sniff. “Only don’t talk. And what have you done with the provisions? I suppose you’ve lost them. Oh, dear! Do I have to do everything myself?”
Moomintroll wrinkled his forehead dejectedly but didn’t answer.
So they wandered farther into the green tunnel, Sniff looking for by-paths, Moomintroll looking for dangerous intruders, and the silk-monkey leaping overhead from branch to branch.
The path wound in and out of the trees, getting narrower and narrower, until at last it petered out altogether. Moomintroll looked baffled. “Well, that seems to be that,” he said. “It ought to have led to something very special.”
They stood still and looked at each other in disappointment. But as they stood a whiff of salt wind blew in their faces and a faint sighing could be heard in the distance.
“It must be the sea!” exclaimed Moomintroll with a whoop of joy, and he started running upwind, his heart thumping with excitement, for if there is anything Moomintrolls really love, it is swimming.
“Wait!” screamed Sniff. “Don’t leave me behind!”
But Moomintroll didn’t stop till he came to the sea, and there he sat down and solemnly watched the waves rolling in, one after another, each with its crest of white foam.
After a while Sniff came out from the fringe of the wood and joined him. “It’s cold here,” he said. “By the way, do you remember when we sailed with the Hattifatteners in that dreadful storm, and I was so seasick?”
“That’s quite another story,” said Moomintroll. “Now I’m going to swim.” And he ran straight out into the breakers, without stopping to undress (because, of course, Moomintrolls don’t wear clothes, except sometimes in bed).
The silk-monkey had climbed down from her tree and was sitting on the sandy beach watching them. “What are you doing?” she cried. “Don’t you know it’s wet and cold?”
“We’ve managed to impress her at last!” said Sniff.
“Yes. I say, Sniff, can you dive with your eyes open?” asked Moomintroll.
“No!” said Sniff. “And I don’t intend to try—you never know what you’ll see down there on the bottom. If you do it, don’t blame me if something awful happens!”
“Pooh!” said Moomintroll, diving into a big wave and swimming down through green bubbles of light. He went deeper and came upon forests of crinkly seaweed swaying gently in the current—seaweed that was decorated with beautiful white and pink shells—and even farther down the green twilight deepened until he could see only a black hole that seemed to have no bottom.
Moomintroll turned round and shot up to the surface, where a big wave carried him right back to the beach. There sat Sniff and the silk-monkey screaming for help at the tops of their voices.
“We thought you were drowned,” said Sniff, “or that a shark had eaten you up!”
“Pooh!” said Moomintroll again. &ld...

Most helpful customer reviews

55 of 59 people found the following review helpful.
Well, this is a pleasant surprise!
By Angry Mofo
I didn't expect this to be available in English, for some reason, but rarely have I been happier to be wrong. If you favour the existence of good children's literature, you owe it to yourself to get all the Moomintroll books. Sure, you yourself might not get that much out of them, but if you have children, it is your absolute duty as a parent to give them these books. It's what you give them to read now that will determine whether they grow up to love literature, after all - are you going to let the likes of Animorphs and Goosebumps dictate their future tastes, with their assembly-line banality, hideous nature, and utter lack of any aesthetic qualities whatsoever? I didn't think so.
A key aspect of Tove Jansson's world is that there is no conflict in it, as such. There's plenty of danger and risk, as much as the adventurous exploits of the Moomintroll would require, but there are no villains, no good-versus-evil struggle, no battle to save the world that has to be hidden from the grownups for some bizarre reason. Some of the Moomintroll books are more pastoral in nature, featuring the Moomin family just lounging around and talking to each other and various other denizens of the neighbourhood. Others feature struggles, such as this one, but they are struggles of knowledge against blind cosmic forces - Moomintroll is trying to _discover_ and _conquer_ the nature of the comet that threatens his home with destruction. This makes for suspense aplenty, and one may even forget that there are no real antagonists, no one who is willfully malicious. The closest thing to that to be found here is the menacing character of the Groke, who freezes the ground under her feet, but she is viewed with sympathy, as a part of nature as well. Nor is she deliberately malicious; she's cold and frightening by nature.
Then there's Jansson's prose and gift of description. Oh my! It's like a gorgeous watercolour. Just read the bit in the beginning where Moomintroll finds the hidden cave, or the part where Sniff and Moomintroll are travelling downriver - there's an air of adventure and beauty to that that seems to have died a lonely death in children's literature sometime in recent history. The setting is a beautiful, undefiled Nordic paradise, where nature rages unfettered and beauty exists in its balance rather than in its placidity. And how about the weird denizens of Moominland themselves - the Hattifnauts, for instance, who can't talk or do anything other than wander from place to place, hauntingly, in vast herds, exhorted by something in their nature that they cannot articulate? What about the philosophizing Hemuls with their respective passions for collecting things and putting them in order? All of these different characters reflect different aspects of human nature. They are emotionally complex, contemplative, given to reflection. Jansson's realistic (the description even says "Naturalistic," which isn't that far from the truth) dialogue brings them to vibrant life.
Apparently, various corporations have gotten their hands on the rights to Moominland, and are exploiting them for all they're worth. There's a cartoon on this theme in Japan, so I hear. But fortunately, no matter what anyone does, the original books are still right here, in all their lyricism, poetry, wonder, melancholy, and aesthetic perfection.

27 of 27 people found the following review helpful.
2 generations of reading pleasure
By A Customer
My sister and I read the Moomin fantasy stories in the 1960s, when we were children. We STILL share jokes about plot lines today! When my son was 5, I bought them and we read them. We could hardly put them down, and he wanted to read the entire series through again the minute we finished. I hadn't realized how entertaining they were for adults. Maybe it's the wry humor of Finland coming through. While these are chapter books, they do have some absolutely charming illustrations. My son ... prefers them to Harry Potter (which he is hearing aloud again at school). It's best to read them kind of in order, as there is a time line to the books insofar as characters are introduced. Comet in Moominland is the first one, in my opinion, and Moominpappa's Memoirs is last. You can read the others in any order, in between. Moominsummer Madness was a little bit weak, I thought; but the others are just terrific, children's classics! Also great take home messages subtly presented, such as: even orphans can find a family; friends help friends out of jams; people go through moods, and it's OK; people who look scary and behave strangely, can maybe just be misunderstood. I credit these books as major contributors to his outstanding love for reading. The characters are beautifully drawn, diverse and imperfect; while there is a mother, a father, and a son, family structure is not stereotyped; the plot lines keep your attention; and the prose created by the translators is superb. They may be hard to find in libraries but they are WELL WORTH the search (or purchase).

0 of 0 people found the following review helpful.
Excellent book
By Amazon Customer
Great. My daughter loved it.

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