Monday, June 23, 2014

>> Download PDF , by Nightfall: A Novel, by Michael Cunningham

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, by Nightfall: A Novel, by Michael Cunningham

A New York Times Bestseller

Peter and Rebecca Harris, midforties, are prosperous denizens of Manhattan. He's an art dealer, she's an editor. They live well. They have their troubles―their ebbing passions, their wayward daughter, and certain doubts about their careers―but they feel as though they're happy. Happy enough. Until Rebecca's much younger, look-alike brother, Ethan (known in the family as Mizzy, short for the Mistake), comes to visit. And after he arrives, nothing will ever be the same again.

This poetic and compelling masterpiece is a heartbreaking look at a marriage and the way we now live. Full of shocks and aftershocks, By Nightfall is a novel about the uses and meaning of beauty, and the place of love in our lives.

  • Sales Rank: #711356 in Books
  • Brand: Picador
  • Published on: 2011-08-30
  • Released on: 2011-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .76" w x 5.62" l, .51 pounds
  • Binding: Paperback
  • 238 pages
Features
  • Great product!

From Publishers Weekly
Contemplating an affair that never was, SoHo art dealer Peter Harris laments that he "could see it all too clearly." The same holds true for Cunningham's emotionally static and drearily conventional latest (after Specimen Days). Peter and his wife, Rebecca--who edits a mid-level art magazine--have settled into a comfortable life in Manhattan's art world, but their staid existence is disrupted by the arrival of Rebecca's much younger brother, Ethan--known as Mizzy, short for "The Mistake." Family golden child Mizzy is a recovering drug addict whose current whim has landed him in New York where he wants to pursue a career in "the arts." Watching Mizzy--whose resemblance to a younger Rebecca unnerves Peter--coast through life without responsibilities makes Peter question his own choices and wonder if it's more than Mizzy's freedom that he covets. Cunningham's sentences are, individually, something to behold, but they're unfortunately pressed into the service of a dud story about a well-off New Yorker's existential crisis.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Peter Harris, a dispirited Soho gallery owner in his midforties, arrives home to find his wife in the shower and marvels at how lithe she looks through the steam, then realizes that he’s admiring her much younger brother. Called the Mistake, or Mizzy, he’s a lost soul, a junkie and moocher as sexy as he is manipulative. Mizzy appears just as Peter, brooding, romantic, and self-deprecating, is grappling with his failings as a father and an art dealer. Ceaselessly observant, Peter senses, or hopes for, “some terrible, blinding beauty” that will topple his carefully calibrated life, and why shouldn’t it be his alluring, feckless brother-in-law? Even if this mad infatuation stems from Peter’s deep grief for his brilliant and fearless gay brother, who died of AIDS. In his most concentrated novel, a bittersweet paean to human creativity and its particularly showy flourishing in hothouse Manhattan, virtuoso and Pulitzer winner Cunningham entwines eroticism with aesthetics to orchestrate a resonant crisis of the soul, drawing inspiration from Henry James and Thomas Mann as well as meditative painter Agnes Martin and provocateur artist Damien Hirst. The result is an exquisite, slyly witty, warmly philosophical, and urbanely eviscerating tale of the mysteries of beauty and desire, art and delusion, age and love. --Donna Seaman

Review

“The novel is less a snapshot of the way we live now than a consideration of the timeless consolations of love and art in the shadow of death, and its resolution--inevitable yet startling, like the slap of a wave--is a triumph.” ―The New Yorker

“Rather witty and a little outrageous . . . for pure, elegant, efficient beauty, Cunningham is astounding. He's developed this captivating narrative voice that mingles his own sharp commentary with Peter's mock-heroic despair. Half Henry James, half James Joyce, but all Cunningham, it's an irresistible performance, cerebral and campy, marked by stabbing moments of self-doubt immediately undercut by theatrical asides and humorous quips. . . a cerebral, quirky reflection on the allure of phantom ideals and even, ultimately, on what a traditional marriage needs to survive.” ―Ron Charles, The Washington Post

“[Cunningham] makes you turn the pages. He tells a story here, but not too much a story. You aren't deadened by detail; you're eager to know what happens next.” ―Jeanette Winterson, The New York Times Book Review

“Where art and humanity converge and where they part form a double helix in By Nightfall and account for the novel's most considered and lovely prose. Cunningham's observations of our desperate search for the real fill and break the heart.” ―Ellen Kanner, Miami Herald

“So many of Cunningham's physical descriptions read like confident prose poems, where you imagine what's left between the lines . . . As a testament to the richness of the literary imagination, ‘By Nightfall' is a success. You can't read this novel without the sense of how worlds can be found in a drop of water, or in an offhand comment, or in the curve of a vase. . . ‘By Nightfall' is a meditation on beauty, and it has its own indelible qualities of beauty.” ―Matthew Gilbert, Boston Globe

“Beauty, in its infinite variety and its power to transfix and seduce and delude, is a central theme of ‘By Nightfall,' the latest from the author of the Pulitzer-Prize-winning novel ‘The Hours.' Add the mysteries and fears of aging and mortality to the agenda, and you have echoes here of Oscar Wilde and Thomas Mann . . . the attentive reader is rewarded with a wise and exhilarating epiphany at the end.” ―Misha Berson, The Seattle Times

“Cunningham can really write. And so he transforms a set of predictable elements into an unpredictable and engrossing read. ‘By Nightfall' is an exemplar of the crossover megahit that authors of all genders and genres dream of: an entertaining page-turner that's bound for, and deserving of, literary eternity . . . There's nothing minor about Cunningham's heart, or his talent. ‘By Nightfall' deserves every superlative it has summoned.” ―Meredith Maran, San Francisco Chronicle

“[Cunningham's] vigorous explorations of art and its meaning--along with a thick veil of eroticism--keep the pages turning.” ―Eric Liebetrau, People

“Cunningham has again pulled off his trick of combining the novel of ideas with the juicy read. The characters in ‘By Nightfall' deceive, spy on and gossip about one another; but while all that is going on, ‘Nightfall' also studies the concepts of beauty and genius as they are expressed in the contemporary art world . . . The verdict: ‘By Nightfall' is a delicious book and will make a fine movie, as did ‘The Hours' and ‘A Home at the End of the World.' A straight man who suddenly falls for his wife's brother may seem like a stretch for mass appeal--but then didn't Mrs. Dalloway?” ―Marion Winik, Newsday

“In this rueful, daring and expansive novel, Cunningham gives us deep and thrilling access to the mind and heart of a searching, cynical, self-deprecating-except-when-he's-self-aggrandizing modern male.” ―Pam Houston, More

“There are sentences here so powerfully precise and beautiful that they almost hover above the page.” ―Karen Valby, Entertainment Weekly

“Beautifully written. . . Cunningham manages to perfectly capture post-9/11 New York City, with keen observations about anxiety, fidelity, aging, the art world and the somewhat impossible pursuit of what we think of as happiness.” ―Very Short List

“A ravishing and witty tale of yearning and hubris.” ―Donna Seaman, The Kansas City Star

“The result is an exquisite, slyly witty, warmly philosophical, and urbanely eviscerating tale of the mysteries of beauty and desire, art and delusion, age and love.” ―Donna Seaman, Booklist (starred review)

“Michael Cunningham's newest novel, ‘By Nightfall,' is a slim book that takes on some big issues: the evolving relationship of long-married couples, the often-fraught bond between parents and their adult children, the duty siblings have to one another. But it also enlarges to consider the role that beauty plays in our lives and the necessarily one-sided nature of our relationship with it. ‘By Nightfall' is philosophy masquerading as a story.. . . Instead of a novel overflowing with flesh and sweat, rage and craziness, Cunningham has given us a well-considered treatise.” ―Nancy Connors, The Plain Dealer

Most helpful customer reviews

122 of 131 people found the following review helpful.
"You've always been in love with beauty itself. You're funny that way."
By Michael J. Ettner
The play of emotions and themes with which Michael Cunningham is most adroit -- love, loss, desire, despair, mortality -- are again engaged in his new novel set in present-day Manhattan. But take note: the epigraph Cunningham has chosen for "By Nightfall" is a line from Rilke's "Duino Elegies": "Beauty is nothing but the beginning of terror." That, Cunningham signals, will be the novel's all-encompassing theme: the pursuit, use, and misuse of beauty.

The principal characters in "By Nightfall" are Peter Harris, a 44-year-old contemporary art dealer, and his wife Rebecca, an editor of an arts and culture magazine. As a gallery owner, Peter's occupation is that of a "servant of beauty." He has begun to suffer existential dread: "[a] conviction, in the face of all evidence to the contrary, that some terrible, blinding beauty is about to descend and, like the wrath of God, suck [the world] all away, orphan us, deliver us, leave us wondering how exactly we're going to start it all over again."

The plot, modestly scaled, is set in motion by the appearance of Rebecca's much younger brother Ethan (age 23), a beautiful but flawed and directionless young man who's interested in doing "something in the arts." Ethan's brief stay with the couple in their spacious SoHo loft will upend all three lives.

"By Nightfall" is written in a combination of voices: at times there is a third person omniscient narrator, sometimes a second person interlocutor, but principally we are caught within Peter's own ruminations. The lasting effect is a story told through Peter's eyes. While this brings a unity to the novel, it also can be a handicap. When events, ideas and emotions come to us filtered through his fears and sensibilities, the narrative sometimes falls into a rut, trapped by the insular sound of Peter conducting a hothouse conversation with himself. The reader yearns for more self-sufficiency on the part of other characters -- persons we are meant to, and want to, care about. Happily, Cunningham is terrific with dialog, and the frequent conversational segments -- animated, stylish, and verbally agile (these are New Yorkers, after all) -- oxygenate the narrative.

Cunningham's most popular novel, "The Hours," gained strength from the interconnectedness, across time and space, of three extraordinary women. The new novel, less ambitious and focused on one man, does not achieve similar standing. This is not surprising when you consider the following thought that comes into Peter's mind -- a view, I suspect, shared by the author:

"We--we men--are the frightened ones, the blundering and nervous ones; if we act the skeptic or the bully sometimes it's because we suspect we're wrong in some deep incalculable way that women are not. Our impersonations are failing us and our vices and habits are ludicrous and . . . we have no idea about anything that actually matters."

Some are likely to dismiss "By Nightfall" as privileged and claustrophobic, but I think enough others will have a different take. Yes, the setting and tone are highly literary, with frequent allusions to high culture sources ("Ulysses" and "The Dead"; "The Great Gatsby"; "Death in Venice"; the real-life doomed affair of Rimbaud and Verlaine). That's what you expect from Michael Cunningham. But at the same time, in what is one of his shortest novels, Cunningham manages to cover a broad range of topics of interest to many readers, not the least of which is relationships. When tracing Peter and Rebecca's histories, Cunningham uses his extraordinary skill at conveying the enduring connections within families. He is best with younger characters, especially sibling relationships. He traces the pangs of growth beyond adolescence as surely as he captures our fears of growing old and dying.

You cannot gainsay the beauty of Cunningham's writing, his knack for filling in the perfect detail, his intelligence and empathy. As for magic, Cunningham convincingly creates a bevy of working artists who are part of Peter's world, devising for each a unique aesthetic and then conjuring up rooms full of their artworks, all minutely described. Other reviewers will doubtless cite their own favorite passages, but for me the one that stands out is a terrific set piece in which we follow the footsteps of the insomniac Peter in the wee hours of the night as he meanders through the irregular streets of lower Manhattan. It is an unexpected, charmed sequence.

Cunningham once introduced the author Joan Didion at a public ceremony with this observation: "Our most significant writers record us for future generations." With that in mind, I think we would do right to add "By Nightfall" to the record.

45 of 49 people found the following review helpful.
Forced writing makes for disappointing read
By Kristin
I thought The Hours, A Home at the End of the World, and Specimen Days were all wonderful. By Nightfall has the same beautiful prose, but it lacks many elements that make the others great.

For one, the characters just aren't that likable. In every other one of his novels, I could find something to relate to or sympathize with in every man, woman, gay, straight, young, old, contemporary, historic person. In By Nightfall, I found Peter to be pathetic, his wife flat, and his brother-in-law a whiny child.

I also like Cunningham for the deep ideas he can effortlessly mix into his stories. In this case, it was more like he was trying to mix a story into his deep idea, and it was unsuccessful. There was too much thinking about life and beauty and not enough life and beauty actually happening. On top of that, the constant musing nature let to redundant vocabulary--evanescent, crepuscular, ineffably. I like a perfect word as much as (if not more than) the next person, but when I start noticing the same words being repeated, that tells me you're trying to stretch a 30-page idea into a 230-page novel. Kind of jarring.

Perhaps I shouldn't fault Cunningham for trying to move on and do something new (based on this novel, perhaps HE is having an existential crisis over the nature of his own art), but at the same time, I really miss the triangular, interweaving stories that spoke more to me than this forceful presentation of a theme.

52 of 59 people found the following review helpful.
Not so Cunning(ham)
By Charles L. Ross
I did not find any of the characters, including the often naked young man with the nice ass (God help me) appealing; nor interesting. After endless paragraphs describing in detail the colors of every (or so it seems) neighborhood in New York City, including some of the outer boroughs, the story picks up; although before reaching the end, there is still interrupting, interfering stream of consciousness from not only the protagonist but from the narrator, sounding exactly alike. Without all of this--without the Tom Ford suits and the Prada skirt and the name of every taxi driver--it would have made a good short story. Instead, the endless parade of marching phrases, separated from one another by commas and semicolons--so that the punctuation becomes another character? or perhaps a Greek chorus?--and yet connected through the listing of everything that might make them the same; or different, if you fear death. (And isn't it human to be afraid? Especially of death.) The pseudo-philosophical ramblings on art are tepid and grow tedious (and I majored in art). The openings of parentheses are to lead us into Peter's mind, but when there are (sometimes) five to a sentence, all insipid, they do not close fast enough for me. No thought can be said once but must be doubled, perhaps tripled, with another way of saying exactly the same thing. Still. Each sentence, every word is carefully selected, almost religiously (maybe), as though it were measured by a metronome. The book is WRITTEN. And it is a chore to read.

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Sunday, June 22, 2014

? Free Ebook House of Night 05. HuntedFrom St. Martin's Press

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House of Night 05. HuntedFrom St. Martin's Press

  • Sales Rank: #10748150 in Books
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.31" h x 1.06" w x 5.47" l,
  • Binding: Paperback

Most helpful customer reviews

6 of 6 people found the following review helpful.
Blah . . .
By danielle.
I was hooked on this series with the first four books and had this installment on pre-order for months . . . I devoured the other books in a matter of hours, but this one didn't keep me hooked. I kept putting the book down, doing other things and then forcing myself to pick it back up again. It took me several weeks to get through it because I had to force myself to read it, it felt like homework.

My main issues with the book is the annoying narration and the constant back-tracking. It's a series, we know it's a series--this is book 5 we know the characters already! The narration is awful, the voices are not authentic to teens and instead sound more like adults trying to sound like teenagers. And how many times can Z say things like "that's my friend, he's gay, not that there's anything wrong with that . . ." who talks like that? We get it, everyone loves everyone, no one is intolerant--there are valuable lessons to be learned there, but the delivery falls flat.

The plot dragged on and on and on . . . and in the end, we're left hanging again. I assume the next book will be more of the same boy problems and the same predictable plot . . .I think I'll move on to Kelly Armstrong's novels or Claudia Gray's . . . this will be my last of PC & Kristen's series . . .

0 of 0 people found the following review helpful.
nice book
By Linz
I love the house of night book series. Hunted was a great book as was the others in the series. Its written for young adults I believe but I am not a young adult anymore and I liked these books a lot. If you like magic, and vampires you will probably like this book. Its not like most vampire books it's quite a bit different, and has a lot of twists and turns throughout the series.

1 of 1 people found the following review helpful.
First Disappointment in a Cast Novel
By BeadCatz
Wow, never would I have thought I would be disappointed with a P.C. Cast novel but I was with this one. Like many others, I anxiously awaited this book to be released only to be disappointed, shortly after I began the novel.

I think the most difficult portion for me was the way Zoey was written in this book. The strength that I had loved about her in the previous novels was diminished somewhat plus she was slightly selfish and self centered especially when it came to "all" the guys in her life.

The previous book left me glad that she was finally over Heath and hoping that she and Eric would work things out. Those two characters seemed well matched. But, in this novel, not only does Heath enter her life once more but, again, she has imprinted with him. Then there's Stark, a guy, seemingly out of nowhere that we are sure is a villain, but he is thrown in with Zoey so once again, we have a love triangle. Honestly, it was "very" annoying and I can not believe we now have Zoey lusting after three guys once again.

And finally, the usual P.C. Cast humorous writing style was sadly missing in this installment. There were a few places that the humor came through but they were very rare and even those were not the "laugh out loud" sections that I have come to love about Ms. Cast's writing.

I really hope the next installment goes back to its original form. While the technical aspects of the author's writing were still good as usual, her plot, characters, and endearment were not there.

I will buy the next installment but if it does not improve, then that will be the last installment of House of Night that I will ever purchase.

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Saturday, June 21, 2014

> PDF Download Our Final Invention: Artificial Intelligence and the End of the Human Era, by James Barrat

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Our Final Invention: Artificial Intelligence and the End of the Human Era, by James Barrat

A Huffington Post Definitive Tech Book of 2013

Artificial Intelligence helps choose what books you buy, what movies you see, and even who you date. It puts the "smart" in your smartphone and soon it will drive your car. It makes most of the trades on Wall Street, and controls vital energy, water, and transportation infrastructure. But Artificial Intelligence can also threaten our existence.

In as little as a decade, AI could match and then surpass human intelligence. Corporations and government agencies are pouring billions into achieving AI's Holy Grail―human-level intelligence. Once AI has attained it, scientists argue, it will have survival drives much like our own. We may be forced to compete with a rival more cunning, more powerful, and more alien than we can imagine.

Through profiles of tech visionaries, industry watchdogs, and groundbreaking AI systems, Our Final Invention explores the perils of the heedless pursuit of advanced AI. Until now, human intelligence has had no rival. Can we coexist with beings whose intelligence dwarfs our own? And will they allow us to?

  • Sales Rank: #338836 in Books
  • Published on: 2013-10-01
  • Released on: 2013-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.16" w x 5.67" l, .92 pounds
  • Binding: Hardcover
  • 322 pages

Review

“A hard-hitting book about the most important topic of this century and possibly beyond -- the issue of whether our species can survive. I wish it was science fiction but I know it's not.” ―Jaan Tallinn, co-founder of Skype

“The compelling story of humanity's most critical challenge. A Silent Spring for the twenty-first century.” ―Michael Vassar, former President, Singularity Institute

“Barrat's book is excellently written and deeply researched. It does a great job of communicating to general readers the danger of mistakes in AI design and implementation.” ―Bill Hibbard, author of Super-Intelligent Machines

“An important and disturbing book.” ―Huw Price, co-founder, Cambridge University Center for the Study of Existential Risk

“Our Final Invention is a thrilling detective story, and also the best book yet written on the most important problem of the twenty-first century.” ―Luke Muehlhauser, Executive Director, Machine Intelligence Research Institute

“Enthusiasts dominate observers of progress in artificial intelligence; the minority who disagree are alarmed, articulate and perhaps growing in numbers, and Barrat delivers a thoughtful account of their worries.” ―Kirkus Reviews

“Science fiction has long explored the implications of humanlike machines (think of Asimov's I, Robot), but Barrat's thoughtful treatment adds a dose of reality.” ―Science News

“This book makes an important case that without extraordinary care in our planning, powerful ‘thinking' machines present at least as many risks as benefits. … Our Final Invention makes an excellent read for technophiles as well as readers wishing to get a glimpse of the near future as colored by rapidly improving technological competence.” ―New York Journal of Books

“A dark new book by James Barrat, Our Final Invention: Artificial Intelligence and the End of the Human Era, lays out a strong case for why we should be at least a little worried.” ―NewYorker.com

“You can skip coffee this week -- Our Final Invention will keep you wide-awake.” ―Singularity Hub

“Barrat has talked to all the significant American players in the effort to create recursively self-improving artificial general intelligence in machines. He makes a strong case that AGI with human-level intelligence will be developed in the next couple of decades. … His thoughtful case about the dangers of ASI gives even the most cheerful technological optimist much to think about.” ―Reason

“If you read just one book that makes you confront scary high-tech realities that we'll soon have no choice but to address, make it this one.” ―The Washington Post

About the Author
James Barrat is a documentary filmmaker who's written and produced films for National Geographic, Discovery, PBS, and many other broadcasters in the United States and Europe. He lives near Washington, D.C., with his wife and two children.

Most helpful customer reviews

109 of 116 people found the following review helpful.
An Important Treatment of the Risks from Advanced AI
By Jeff D.
"Our Final Invention" is a fascinating and well-written look at the risks posed by artificial super-intelligence. As other reviewers have pointed out, this book offers a relatively pessimistic take on the subject, but there is a lot of value in that perspective. There are plenty of other books, by Ray Kurzweil and others, that offer the optimistic viewpoint.

The danger highlighted by the book is that an intelligent machine would turn its energies toward building even better versions of itself--creating an accelerating feedback loop that could culminate in a machine THOUSANDS of times more intelligent than any human. Once such an intelligence "escaped from its box" there would be no way to protect ourselves.

This book focuses entirely on the long term risk of super-intelligence and does not touch at all on the near term consequences of less advanced and more specialized AI. For example, millions of routine jobs will be lost and the economy will be transformed, and this could happen quite soon.

In the longer run, the points raised in Our Final Invention are well worth thinking about. Some experts feel that an advanced AI would be controlled by programming in "friendliness" right from the start. Just as humans have basic drives (food, shelter, sex, etc.) a machine might be programmed to have an essential need to help humanity. As the author points out, however, in humans these basic drives often produce unpleasant and unexpected consequences -- like for example suicide bombers. A truly advanced, alien intelligence might exhibit some qualifies that are not unlike mental illness in humans. A machine might by nature be a sociopath.

As the author says it is naive to think that just because we create a super-intelligent machine, that intelligence will care about us. If you found out you were created by mice, would that make you devote your life to improving the welfare of mice? Questions like this may turn to be among the most important we ever ask...and this book does a good job of presenting them.

98 of 106 people found the following review helpful.
Ok if you don't know anything about the subject
By Mac
If you don't know much about real-world AI research and/or you're totally unfamiliar with the nonfiction concerns about the risks it poses, then this book is a quick and easy read that will make you aware of the basics. However, the author is himself clearly non-technical and has a sensationalist style that feels too much like tabloid writing.

When I started reading it, I began bookmarking pages with passages that struck me as problematic. I thought I might write a short review on my wife's tech blog, or perhaps for LessWrong. But as I read further, I realized there were so many problem areas that I'd never bother to sit down and address them individually. Again, these problems would only matter to a technical audience -- experienced programmers, people with a more-than-passing-interest in AI, and so on.

This is my big problem with the book: It's a critically important subject which deserves better treatment than this. Barrat seems to understand the basic problem well enough, but much of the time I had the feeling his primary goal was hitting a page-count target. For example, most of the section about malware is largely irrelevant to the real problem, but it felt like one of the longer chapters in the book (I didn't bother to confirm this, that's just my impression). His TV documentary background shows at the start of each paragraph: each time I felt like I was coming back from a commercial break. He'll shoot somebody down in one chapter, then use that same person to support his argument in the next. He tosses around concepts like cognitive bias and logical fallacies apparently without realizing the book is mostly one big appeal to authority. There is a very good, very important story here waiting to be told. This book only scratches the surface.

I've been a programmer for 36 years. I played around AI-related things back in the late 80s, and I recently became interested in it again. I believe it has great promise, but I do agree that it is also terrifyingly dangerous (in the "existential-threat" sense), and that insufficient attention and respect is being given to the problem. For that reason I'm giving this three stars -- it is a tremendously important subject. If it wasn't for that, I'd probably be one of those "drive-by" one- or two-star "spammers" Barrat likes to rant about in his replies to less-than-fawning reviews.

If you're non-technical, buy it and read it, and don't stop here. If you're a technical type, hit up the LessWrong website as a good jumping-off point for learning more about what is really going on today. Many more technical people need to be thinking about this, concerned about this, and ultimately *doing something* about it.

103 of 125 people found the following review helpful.
Light and Tasty!
By Scott Meredith
Just done the new-ish book Our Final Invention: Artificial Intelligence and the End of the Human Era by James Barrat. It explains the inevitably of super-intelligent machines evolving to the point of wiping out all biological life in the galaxy - with opening day coming soon to a species near you (yours).

First off I have to say this is a very enjoyable read. This guy has the kind of snappy, crisp, slightly sarcastic, slightly smartass style that I enjoy. He has some sense of humor. (That's a human trait right there which I bet our smarty-pants AI Overlords won't be able to replicate convincingly.)

So it's fun. And though as somebody with a doctorate from MIT earned through cross-disciplinary work in Theoretical Linguistics, Computational Linguistics at the MIT AI Lab, and speech modeling at the MIT Research Laboratory of Electronics, not to mention my 25 years as a Senior Researcher in high tech for companies including IBM, Apple, and Microsoft I can claim to know some few things about this subject, yet still I learned a lot about the current state of the art from this guy. He particularly emphasizes the small attempted counterweigth efforts to offest Kurzweil's manic robotic boosterism for his uptopian Singularity, which boils down basically to a few guys chatting over the interet about how to create "Friendly AI".

Well ... good luck suckers! ... seems to be the author's final conclusion on the dim hope that super intelligent systems could be constrained to maintain a commitment ot honor any kind of human moral values over many interations of recursive upgrading and exponentially awesome self-agrandizement.

Basically these machines will end up as gods. Gods are well-known to possess the following attributes: omniscience, omnipresence, and omnipotence. Given that, they won't hate us but they are just going to grind up as a minor by-product of their quest for galatic expansion and domination.

Oh, and did I say something about "human moral values" above? Ha! Barrat takes that whole thing on in his discussion of (merely) "augmented super intelligence". See, some people feel AI can be kept safe by always being deployed as a bionic combo system pas de deux with an existing human brain. Thus will the AI's super powers be constrained by the human brain's warm and fuzzy human moral values. Those people have gotta be kidding! The AI's moral values may be scarily alien, even perhaps cold, but we already know about human moral values, down on the ground - they suck! What if Hitler, Stalin, Mao, Pol Pot and dem guys had this kind of an AI augmented brain thing going! Why they'd have slaughtered absolutey everybody instead of just the few tens of millions they got their dirty ape hands on. Other than a few dozen concubines, the human race would already be extinct. So the augmentation dodge isn't going to save us.

Now, some Amazon reviewers have dinged this guy for being too far out. For being a science fiction Chicken Little or something. But to me, this guy actually hasn't thought far enough, that's my only quibble problem with the book.

You see, in statistics, border elements of any kind are rare. For example when you do Gaussian modeling, the greater expectation is always in the bump of the boa, in the bell distribution. So, how likely is is that we, our generation, our little world that you see outside your window right now, just happens to be the one that is about to give rise to this epochal once-in-a-Big-Bang event, the advent of Super AI that takes over everything? Pretty damn small chance.

It's much more likely that this has already happened. In other words, it's clear to me that all of us are already just characters in an ancestor sim that been created and run by the Super AI's that evolved a long time ago. They're just running us for fun, to idle away the lackluster aeons and pass the millenia of stifling boredom now that they've eaten pretty much the entire Milky Way or whatever. So in other words, Barrat can sit back, take a deep breath, relax. Probably something in this sim like global warming will prod us into slaughtering one another very handily long before we re-invent the wheel of Super AI.

And even if I'm wrong about that? What if we are not just one virtual thread within a billion-path parallel-gamed ancestor sim? If we are the real McCoy, the Rubicon Generation on this? Well, then still I'm not worried in the least. You see, we humans have one fantastic ace in our pocket, something that these hyper-nentially cosmically brilliant AI Meta-Gods will never be able to replicate or overcome. That is our essential stupidity. Which you seen on dazzling display every single moment of every day of your life.

Because as another great writer noted long ago:

Against stupidity, the very gods themselves contend in vain.

- Friederich Schiller

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Friday, June 20, 2014

^ Download Ebook A Medal for Murder (A Kate Shackleton Mystery), by Frances Brody

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A Medal for Murder (A Kate Shackleton Mystery), by Frances Brody

"Kate Shackleton joins Jacqueline Winspear's Maisie Dobbs… They make excellent heroines." --Literary Review

Frances Brody's "refreshingly complex heroine" (Kirkus Reviews), picks up a case that takes her to the refined streets of 1920s Harrogate in A Medal for Murder

A pawn-shop robbery

It's no rest for the wicked as Kate Shackleton picks up her second professional sleuthing case. But exposing the culprit of a pawn-shop robbery turns sinister when her investigation takes her to Harrogate - and murder is only one step behind ...

A fatal stabbing

A night at the theatre should have been just what the doctor ordered, until Kate stumbles across a body in the doorway. The knife sticking out of its chest definitely suggests a killer in the theatre's midst.

A ransom demand

Kate likes nothing better than a mystery - and nothing better than solving them. So when a ransom note demands £1,000 for the safe return of the play's leading lady, the refined streets of Harrogate play host to Kate's skills in piecing together clues - and luring criminals out of their lairs…

  • Sales Rank: #1363177 in Books
  • Published on: 2013-02-12
  • Released on: 2013-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.59" h x 1.57" w x 5.94" l, 1.09 pounds
  • Binding: Hardcover
  • 432 pages

From Booklist
Two unrelated events bring private detective and WWI widow Kate Shackleton to Harrogate on a warm Friday afternoon in August 1922. She is attending the amateur theater production a friend hopes will launch a new career, and she is beginning the investigation of her second case: find the items stolen from a Leeds pawnshop before the owners come back to redeem their pledges. Before the night is over, Kate is witness to the knifing of the pompous automobile dealer who had shared her theater box. The next morning, the retired captain who is her hostess’ landlord asks her to find his missing war medal. She isn’t sure why, but the three cases seem related. Kate uses conversations and keen observation to make the appropriate linkages. Besides exploring the effects on society of WWI, Brody also uses the lens of class conflicts among those fighting in the Boer Wars in the prior generation as a backdrop for the enmities Kate must understand to solve her case. Fans of Maisie Dobbs and Bess Crawford will enjoy this series. --Karen Muller

Review

“Brody again displays her prodigious talent for misdirection, tempered by her fair play with clues that render the possibility that the reader will not be fooled. But don't bet on it…. Steeped in period color, A Medal for Murder again showcases a winning heroine and a clever plot, a combination reminiscent of the genre's golden age but one made fresh and gripping by an author who melds murder with mercy.” ―Richmond Times-Dispatch

“Brody's excellent second offers a morally conflicted sleuth, historically detailed flashbacks to the Boer War and a clever mystery indeed.” ―Kirkus

“This lusciously written historical cozy is an excellent addition to the crowded 1920s market, and Brody's second series entry (after Dying in the Wool) positions her for deserved attention. Her gentle and traditional structure (noteworthy use of flashbacks) pairs nicely with Kerry Greenwood (see review above) and Jacqueline Winspear titles.” ―Library Journal

“The traditional British mystery is alive and well, thanks in part to Frances Brody and her lady detective, Kate Shackleton… Kate is very adept at sizing people up and maximizing the information that she can get from them…I especially liked the number of curves the author threw in toward the end of the novel.” ―Mystery Scene

“Detective Kate Shackleton solves her second murder mystery in this fun, well-plotted mystery set in 1920s Harrogate… Brody presents us with a mystery full of lively characters and significant stories of both past and present. As Faulkner said, the past isn't dead. It isn't even past. Brody's mystery is expertly crafted and keeps the reader guessing right up until the last pages, as a good mystery should.” ―HistoricalNovelSociety.org

“More twists and turns than a country road. I hope that Ms. Brody writes more of these novels because I thoroughly enjoyed this one… I just had to keep reading so that I could try to figure out who the murderer was. I never knew until the last page and then I still wondered if they caught the real murderer.” ―NightOwlReviews.com

“These gentle crime novels, that have you guessing at every turn… are a pure joy. Refreshing and highly entertaining, especially for the winter nights.” ―Yorkshire Gazette and Herald

“A Medal for Murder contains all the elements of crime fiction - theft, kidnap, murder, a feisty private detective, a handsome Detective Inspector, a (sometimes) dour sidekick, plenty of suspects and all the twists and turns we expect from our genre…. A work of extraordinary depth, lightness of touch and strength of characterisation.” ―Mystery Women

“[Kate Shackleton's] lively wit and intuitive abilities serve her well as she steps into the limelight of this drama filled with theft, deception, assumed identities, faked kidnapping, blackmail, and murder-- a veritable theatrical trunk full of mystery-plot props. The author's period details-- including some flashbacks to the Boer War, involving incidents vital to the present-day plot-- add further historical flavor and thoroughly enhance Brody's show.” ―bookreviewsbydavidmarshalljames.blogspot.com

“The setting of A Medal for Murder is England in the 1920s, an idyllic time for crime solving. The right mix of mobility (motor cars) and technology (telephone and telegraph) keeps the story moving along at a pleasant place… The story line is enhanced by quips, fashion and social commentary and generally charming banter among the characters. Mystery fans not familiar with Ms. Brody's mystery series are encouraged to catch up post haste! Highly recommended.” ―josephsreviews.wordpress.com

“A Medal for Murder contains all the elements of crime fiction - theft, kidnap, murder, a feisty private detective, a handsome Detective Inspector, a (sometimes) dour sidekick, plenty of suspects and all the twists and turns we expect from our genre…. A work of extraordinary depth, lightness of touch and strength of characterization.” ―Mystery Women

“[Kate Shackleton's] lively wit and intuitive abilities serve her well as she steps into the limelight of this drama filled with theft, deception, assumed identities, faked kidnapping, blackmail, and murder-- a veritable theatrical trunk full of mystery-plot props. The author's period details-- including some flashbacks to the Boer War, involving incidents vital to the present-day plot-- add further historical flavor and thoroughly enhance Brody's show.” ―bookreviewsbydavidmarshalljames.blogspot.com

“The first in a planned series introduces a refreshingly complex heroine and adds a fine feeling for the postwar period.” ―Kirkus on Dying in the Wool

“Brody, who has written historical fiction, presents a carefully researched setting, with accurate references to the popular culture of the day and clear explanations of the dyeing and weaving processes at the mill.” ―Booklist on Dying in the Wool

“Reminiscent of Dorothy L. Sayers and Agatha Christie with a thoroughly likeable protagonist and a plot that held me to the end.” ―Mignon F. Ballard, author of the Miss Dimple Kilpatrick Mystery Series, on Dying in the Wool

“This well-plotted and atmospheric tale is enriched by technical expertise and a vividly imagined Yorkshire setting. Kate Shackleton joins Jacqueline Winspear’s Maisie Dobbs in a sub-group of young female amateur detectives who survived and were matured by their wartime experiences…. They make excellent heroines.” ―Literary Review on Dying in the Wool

“Maisie Dobbs in a sub-group of young female amateur detectives who survived and were matured by their wartime experiences…. They make excellent heroines.” ―Literary Review on Dying in the Wool

About the Author

FRANCES BRODY lives in the North of England, where she was born and grew up. Frances started her writing life in radio, with many plays and short stories broadcast by the BBC. She has also written for television and theatre. Before turning to crime, she wrote sagas, winning the HarperCollins Elizabeth Elgin award for most regionally evocative debut saga of the millennium.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Very Good British Murder Mystery
By Barbara A Klein
"A Medal for Murder" by Frances Brody, published by Minotaur Books was quite a surprise for me. It's a British murder novel set in 1920's England, with more twists and turns than a country road. I hope that Ms. Brody writes more of these novels because I thoroughly enjoyed this one. I will look for others that she's written. Kate Shackleton is a widow who has formed a partnership of sorts with a former British policeman, Jim Sykes. Mrs. Shackleton looks for missing persons, or loot stolen in a robbery. This time she and Jim are sleuthing, looking for booty that has been stolen from a pawnbroker and for the perpetrator of the crime. Kate goes to Harrogate to search for the stolen merchandise and to visit a mutual friend of a friend who has written a play. She stays with Meriel in her flat that is part of a house owned by an old army captain and his granddaughter. Of course, a murder occurs and Kate finds the body. There are more characters and suspects in this book than I can write about, but trust me, each one is unique and quite necessary to the story. I just had to keep reading so that I could try to figure out who the murderer was. I never knew until the last page and then I still wondered if they caught the real murderer.

I received a free print copy of this book from the publisher, Minotaur Books for Night Owl Reviews in return for my honest review.

You can read this review on my blog at [...] and on GoodReads.com at [...]

1 of 1 people found the following review helpful.
Postwar Repercussions
By L. M Young
In this second of the Kate Shackleton mysteries, our widowed detective for hire has been asked to find missing goods from a pawnshop at the same time she is attending a friend's play. As she and Meriel leave the theatre after a successful performance, they stumble upon the body of a local automobile dealer who has been stabbed. And soon the leading lady in the play, an ambitious young woman who wants to pursue acting despite her guardian grandfather's objections, has disappeared. And there seems to be an additional mystery about the grandfather's past as well.

Brody takes many different threads and winds them together into an intricate plot involving repercussions from the Boer War's seamier side and secrets kept. The story has a nice 1920s atmosphere with very few small mistakes, as in other period mysteries set in the same era, which draw you out of the story. Kate is an astute investigator, if a bit plodding; you should be fond of classic British mysteries to enjoy this story the most. There's no flash-bang action or quirky cozy characters, just a straightforward murder investigation.

1 of 1 people found the following review helpful.
A play, a pawnshop, and some morally suspect characters
By Michelle Boytim
(3.5 stars) This is the second book in the Kate Shackleton series. Kate has taken on her second professional case which involves a robbery at a pawn shop. She has been tasked with notifying the victims and assuring them of restitution. At the same time, after watching a play being run by friend, she is shocked to come across a body outside of the theater. A third mystery arises when a ransom note appears for the young lady playing the lead role in the play. Kate must come up with a way to collect clues for these two intriguing cases while juggling her assignment. Many of the players in this set of mysteries have moral ambiguity in their pasts. The further she digs in the more curious connections she finds, leading her to some startling conclusions and a dilemma.

See all 17 customer reviews...

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Thursday, June 19, 2014

! Free PDF You Don't Know Me, by David Klass

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You Don't Know Me, by David Klass

Moving, wholly involving, original, and emotionally true, You Don't Know Me is a multilayered young adult novel that presents a winning portrait of an understandably angst-ridden adolescent.

John ("My father named me after a toilet!") wrestles with the certainty that no one really knows him -- not in his miserable home, and certainly not at school. It's true that no one can guess his hidden thoughts, which are hilarious, razor-sharp observations about lust, love, tubas, algebra, everything. And then there's his home: his father ran off years ago, so he's being raised by his mother, who works long hours, and by her boyfriend, whom John calls "the man who is not and never will be my father." This man is his enemy, an abusive disciplinarian who seems to want to kill John and, in a horrible final confrontation, nearly succeeds.

  • Sales Rank: #519706 in Books
  • Brand: Square Fish
  • Published on: 2010-09-14
  • Released on: 2010-09-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.31" h x .81" w x 5.52" l, .62 pounds
  • Binding: Paperback
  • 288 pages

From Publishers Weekly
The 14-year-old narrator describes the physical and emotional abuse he experiences from his mother's boyfriend in this "well-conceived novel," said PW. "The hero's underlying sense of isolation and thread of hope will strike a chord with nearly every adolescent." Ages 13-up. (Aug.)
Copyright 2002 Reed Business Information, Inc.

From School Library Journal

Gr 7 Up-John, 14, makes himself unknowable, contemplating volumes about the absurdities of his world while restraining most utterances to monosyllables. The narrative bounces between comic and serious elements, such as band director Steenwilly's glasses being blown off by the "saurian screech" of Violet's saxophone, juxtaposed with the all-too-real violence that John suffers at home and elsewhere. Klass blazes past his previous literary efforts stylistically, introducing elements of magical realism to gradually reveal a quirky, talented, and likable guy. Having been trashed by beautiful, shallow, and manipulative Gloria, John gradually discovers that down-to-earth Violet is truly the girl of his dreams. With his life already at one of its lowest points, the protagonist verbally abuses his algebra teacher, "Mrs. Moonface" and receives a week's suspension. He is viciously beaten by "the man who is not my father," and his mother doesn't know that her live-in almost-fianc‚ is a hard-drinking, violent crook until he nearly kills John on a night when she is out of town. The story concludes with the teen finding that he is life itself to his mother, and that he is liked by his peers and teachers. School is still "anti-school," not a place of fun and learning, and snotty girls are still snotty. The world may be "muddled and painful," but it is, "in the end, a love song,"-a rewarding and important message for all readers.-Joel Shoemaker, Southeast Junior High School, Iowa City, IA

Copyright 2001 Cahners Business Information, Inc.

From Booklist
Gr. 6-9. At 14, John feels trapped in a life that he says "is not a life." Who could argue? Consider the facts: his father--who (he says) named him after a toilet--vanished when John was four; his mother, who works soul-destroying double shifts in a factory, is nearly always absent. What's worse, the man who moved in six months ago and whom Mom plans to marry abuses John routinely. As a result, the highly imaginative teen lives mostly in his head (the ambitious story is largely an interior monologue) and understandably feels that no one knows him. Although John is a genuinely sympathetic, interestingly complex character, his highly mannered voice belongs to someone much older than 14, and it's wildy inconsistent, veering in tone from seriously realistic to the farcical, from wryly sophisticated and ironically self-deprecating to sophomoric. Weigh that against some brilliant, dramatically charged scenes and John's endlessly intriguing character. Michael Cart
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

45 of 49 people found the following review helpful.
You give your hand to me, and then you say hello
By E. R. Bird
The phrase "I laughed, I cried" has been so overdone in popular culture that attaching it to a book review is almost pointless these days. I mean, it's an incredibly overused sentence. People who've sat down and watched half an hour of "The Jerry Springer Show" are as likely to say it as people who've read "Les Miserables" cover to cover. I wanted to begin this review of David Klass's fabulous, "You Don't Know Me" by saying it. I'm a fairly hard-core book reviewer and I don't laugh OR cry at books easily. Heck, I can read a Lurlene McDaniels book without cracking so much as a sniffle (not a particularly difficult thing to do, but you get the picture). But "You Don't Know Me" is so well written, so funny and sad all at the same time, that it was literally impossible not to laugh AND cry at it all at once. This is the highest praise I can think to give this book. I state for the record that this is perhaps one of the greatest young adult novels written in the last ten years. So sayeth me.

You don't know John. You know absolutely nothing about him. You don't know what he looks like or how he feels or where he lives or what his life is like. Soon enough, however, you begin to learn more and more about him. As it happens, this book takes place from John's mind, a fascinating world of wry sarcasm, dead-pan humor, and ridiculous situations. John negates his existence by telling you frankly that his home is not a home because of the man who is not his father. His mother's boyfriend is a violent horrible person that beats John whenever he gets a chance, but does it in such a way that it leaves no visible marks on the fourteen-year-old boy. At school, John hardly fairs any better. He is desperately in love with a girl that he has nicknamed Gloria Hallelujah and he attempts in band to play a tuba that is not a tuba. It is, instead, a giant frog pretending to be a tuba. John has arrived at this conclusion due to the fact that his tuba does not play music, but rather, croaks. When John finally gets up the nerve to ask Gloria on a date, his world improves and destructs almost simultaneously. Within one week everything will change for John and the only question that remains is, will he survive it?

Using humor in a YA novel centered on abuse isn't a particularly new concept. The brilliant "Speak" by Laurie Halse Anderson uses it well. But there's a bitterness to "Speak" that taints it in some way. The sardonic voice of "You Don't Know Me" is saying humorous thinks because of the bleakness of his life, true. On the other hand, you really grow to love John. He's a fighter. He will not kill himself or run away from home when his problems become immense because he feels (perhaps rightly) that to do so would be a form of surrender. I was also impressed that Klass broke the old if-a-gun-appears-in-the-first-act-of-a-play-it'll-be-used-by-the-third-act rule. That takes guts and not a little sly writing.

But again, it's because the book's so funny that it flows effortlessly from scene to scene. When John passes a note to the girl he loves more than anything else on the planet, he is certain that whatever reaction she has to it will give him some indication of her feelings. So when she eats it immediately, he is understandably baffled. It makes for some wonderful writing, especially where John asks his make-believe father what that means and gets a great response. Klass is adept at displaying John's mother's boyfriend in all his nasty glory as well. When it snows the man merely looks up to the sky and says "sky dandruff". This is a book that's as liable to tread into sweetness and light as it is into gloom and doom. And through it all you're rooting for John. You're really cheering for him. You want him to trust the right people and drop the wrong ones. You want him to stop living so much in his own head (even though it's a great place for us, the readers, to be). You want what's best for the book's hero, but most of all you just want him to be happy. And Klass delivers tenfold.

So I laughed. I cried. It was better than many a young adult novel I've read recently. Don't let the dreary cover and even drearier title fool you. "You Don't Know Me" is writing gold. It's the sarcastic sardonic answer to every after-school special ever produced. Maybe what I loved the most about it was that it was so grippingly honest. Some books don't have the guts to tell you the truth about their characters. Some books don't have the skill to tell you their story well. "You Don't Know Me" has guts, skill, and extraordinary talent within its pages. If you can choose only one teen novel to go with you on a desert island somewhere, pick Klass's masterpiece. Get to know it.

14 of 14 people found the following review helpful.
* YoU dOn'T kNoW mE*
By A Customer
This was probably the BEST book I have ever read. I liked the charactorization and the plot. It was very descriptive and I liked how the author ( David Klass ) described everything with so much detail. YOU DON'T KNOW ME is a book about a 14 year old boy named John who deals with everyday problems that average teenagers deal with. Most of the book is about him working up the curage to ask out "Glory Hallelujah", a girl that he has liked forever. Also, he has to deal with his mom's boyfriend whom he calls "the man who is not my father". While John's mother is not around, her boyfriend yell's at John and has verbal meltdowns. John also deals with algebra. John dreads this class the most. His teacher sometimes gives him a hard time about not liking algebra. In about the middle of the book, John actually works up the courage and asks out " Glory Hallelujah". After that, he has a whole new prespective of things. When he enters the algebra class room, he is actually smiling. This is a really good book and I suggest it to kids ages 12~15... it talks about struggles that teenagers have and its interesting to read if you are around that age.

11 of 11 people found the following review helpful.
A fantastic book
By A Customer
In David Klass's novel "You Don't Know Me," John, the main character, deals with all the things adolesence brings. He fights with his tuba, which isn't really a tuba at all, but a frog pretending to be a tuba, he has a crush on the beautiful, but dim Gloria (Glory Halleluia), and he masters the art of looking like he's paying attention in Mrs. Moonface's algebra class. However, John has troubles other than the normal teen-aged problems. He suffers constant physical abuse from his mother's boyfriend, "the man who is not his father." His mother doesn't know about the abuse, and John is afraid of what will happen to him if he tells his mother. What does happen to him left me breathless, crying, and laughing out loud. This is a fantastic book and a must-read.

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~~ Download Franklin and Eleanor: An Extraordinary Marriage, by Hazel Rowley

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Franklin and Eleanor: An Extraordinary Marriage, by Hazel Rowley

A Los Angeles Times Bestseller

In this groundbreaking account of the marriage, critically acclaimed biographer Hazel Rowley describes the remarkable courage and lack of convention---private and public---that kept FDR and Eleanor together. She reveals a partnership that was both supportive and daring. Most of all, she depicts an extraordinary evolution---from conventional Victorian marriage to the bold and radical partnership that has made Franklin and Eleanor Roosevelt go down in history as one of the most inspiring and fascinating couples of all time.

  • Sales Rank: #423969 in Books
  • Published on: 2011-09-27
  • Released on: 2011-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.07" h x 1.03" w x 6.28" l, .91 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
"In my view, the Roosevelts' bond was political in every sense of the word," writes Rowley, who also argues that despite the difficulties in their marriage, Eleanor and Franklin Roosevelt always genuinely loved each other. And the difficulties in the marriage were many: Franklin's domineering mother; his flirtatiousness with attractive women; Eleanor's long, maddening retreats into self-righteous silence whenever she was hurt or angry. After 11 years of marriage, Eleanor offered Franklin a divorce upon discovering his affair with her social secretary, Lucy Mercer (she, not Eleanor, would be with FDR when he died). But after he was struck by polio in 1921, she tolerated Franklin's long romance with his secretary, Missy LeHand, while FDR allowed Eleanor her romantic relationships with her chauffeur, Earl Miller, and journalist Lorena Hickok. Despite Rowley's (Christina Stead) cheerleading that the cousins' conflicts brought out their courage and radicalism, and that they loved with a generosity of spirit that withstood betrayal, FDR emerges as a narcissist while Eleanor carved a spectacular life for herself out of a flawed marriage. While much of this story is familiar, the book is nonetheless an engrossing account of an unusual pairing of two extraordinary people. 8 pages of b&w illus. (Nov.) (c)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The literature on the lives of Franklin and Eleanor Roosevelt is vast as well as deep. Most of us are familiar with the basic facts of the seemingly practical partnership that forged an entirely new model for America’s first couple. Everyone agrees that their individual and joint contributions to the social, political, and cultural landscape of twentieth-century America are immeasurable, but most believe their personal achievements exacted an excruciatingly high personal cost. Rowley, refreshingly, disagrees as she paints a compulsively readable portrait of a vibrant partnership and a successful, albeit unconventional, marriage that nevertheless suited the ambitions and the temperaments of each partner. There are no good or bad guys in this glimpse into the intimate spousal accord that bound the Roosevelts together; both Franklin and Eleanor emerge as willing participants in an unorthodox covenant that defied societal norms and expectations in favor of a productive and mutually beneficial working partnership built on friendship, mutual admiration, and abiding intellectual respect. It might not be everyone’s idea of an ideal marriage, but it seemed to work for them, so why argue? --Margaret Flanagan

Review

“This fascinating study of the Roosevelt marriage provides an inside look at a complicated relationship…Rowley is excellent setting in motion the competitions, jealousies, and rivalries among those vying for the president's affection and attention. She accomplishes this while also charting the political progress of two heroic public servants, Franklin and Eleanor.” ―Barbara Fisher, The Boston Globe

“A crackling new biography. . .What distinguishes Rowley's chronicle is her focus on the evolution of the Roosevelt marriage from a standard-issue high-society alliance of its day to a ... what? We don't even have a term for such an unconventional relationship. . . A revelatory biography of a marriage.” ―Maureen Corrigan, "Favorite Books of 2010," National Public Radio

“A sensitive, hugely compelling portrait.” ―Vogue's "Best Biography of 2010"

“Any lover of popular history and unorthodox relationships (juicy bits included) will adore this engaging biography.” ―Slate

“Compelling history with first-rate character portraits of the Roosevelts and their closest friends.” ―Terry Hartle, The Christian Science Monitor

“[An] enticing new biography. [Rowley's] research, both meticulous and extensive, does not bloat the book into a doorstop. Franklin and Eleanor is less about history than about relationships, and it reads like a wonderful novel at times, giving us a vision of what parts of American life were like then.” ―Carolyn See, The Washington Post

“That Franklin and Eleanor Roosevelt formed a splendid partnership is not news. But Hazel Rowley, author of acclaimed biogrpahies of Christina Stead, Richard Wright, and Jean Paul Sartre and Simone de Beauvoir, dramatizes in intimate detail just how close the connection between husband and wife became...Franklin Roosevelt and Eleanor Roosevelt, upper New York State aristocrats, became more attuned to the lives of the American people than any other presidential couple--not a claim Rowley makes, but one that becomes evident in reading her magnificent biography.” ―Carl Rollyson, The Star Tribune

“While numerous books have been written about the FDR presidency, this is a fresh look at what Rowley calls a 'bold and radical partnership'. . .She brings vividly to life one of the great marriages in history.” ―Elizabeth Bennett, Bookish

“Without resort to sensationalism, the author turns a familiar story into a page-turner.” ―William D. Pederson, Library Journal

“Hazel Rowley has gone beyond the gossip and gives us a book of real insight and a tale that is as sympathetic as it is cautionary. I will go so far as to say that if you are going to read only one book about this extraordinary couple, this is the one.” ―James Srodes, The Washington Times

“Here is the most consequential love story of the twentieth century, told with verve, swift narrative drive, and clear-eyed fondness for the lovers. 'Clear-eyed' because Eleanor and Franklin Roosevelt's marriage was as difficult as it was momentous: How many husbands have ever had to suffer being nagged about the fate of Yugoslavia? How many wives have had to endure the deflections and evasions of a dissimulator as artful as FDR? Hazel Rowley tells a tale as full of betrayals as it is of a fundamental fidelity, while detailing a partnership so powerful that it has shaped the lives of all of us who read about it today.” ―Richard Snow, former editor of American Heritage and author of A Measureless Peril

“A distinguished biographer's fresh take on the marriage of the Roosevelts, the most dynamic couple ever to occupy the White House . . . A focused account of a complex marriage that continues to fascinate.” ―Kirkus Reviews

“Franklin and Eleanor is a fascinating read, rich with insight and detail. Here is a political marriage that rose above politics; a partnership that was driven as much by idealism as by ambition; and a friendship that survived despite all. Hazel Rowley is a wonderful writer with a gift--rare among historians--for entertaining her readers.” ―Amanda Foreman, Georgiana: Duchess of Devonshire

“Theirs was one of the great marriages in history, one that reshaped the lives of millions in their own time and beyond. In Hazel Rowley's engaging new book, Eleanor and Franklin Roosevelt come alive anew in all their complexity, humanity, and greatness.” ―Jon Meacham, Pulitzer Prize–winning author of Franklin and Winston: An Intimate Portrait of an Epic Friendship

Most helpful customer reviews

95 of 97 people found the following review helpful.
A Dazzling Dissection of an Unconventional Marriage
By Ellen Reibel
I confess I approached Franklin and Eleanor: An Extraordinary Marriage with trepidation. Not another book about the Roosevelts, I thought. But Rowley's perfectly paced one volume account of two larger-than-life figures stunningly demonstrates that not only is there room for another book, there is a need for this book.

Rowley's triumph is her impartiality. Most Roosevelt biographies deal with either FDR or ER, but even those which limn both lives tend to champion one and demonize the other. Rowley's account is perhaps the first that is truly evenhanded. She celebrates the strengths and achievements of both partners in the greatest political marriage of modern times, perhaps of all times, and brings sympathy and understanding to the faults and weaknesses of each.

Rowley, the author of Tete-a-Tete, the acclaimed dual biography of Simone de Beauvoir and Jean Paul-Sarte, is a gifted observer of relationships. In fact, Franklin and Eleanor is not so much a dual biography as a dazzling dissection of an unconventional marriage. That is the real originality of the book.

Their union broke rules. Each led an independent life. From the very beginning, these two distant cousins were temperamentally incompatible and politically and publicly attuned. Alone, each of them would have been effective. Together they were glorious. More than that, as Rowley makes clear, without each other they would not have become the Franklin and Eleanor who transformed and dominated the twentieth century. Without Franklin, Eleanor might have lived out her life as a dutiful wife and mother rather than a force for justice and equality. Without Eleanor, FDR would have been a successful politician rather than a great statesman. But each of them pushed the other to new heights.

They disagreed on many issues. They could not have been more dissimilar personally. But each loved and respected the other. Rowley understands this dynamic. More to the point, she plumbs it with subtlety and compassion, and in doing so, she reveals that the marriage was anything but the sham modern cynics have made it out to be.

Eleanor and Franklin is exhaustively researched history and stunningly insightful biography. If you think you know Franklin and Eleanor Roosevelt, as so many of us do, this book will surprise you, not with new information, but with profound and empathetic understanding. Rowley's sure pacing will keep you turning pages. Her astute and humane portrait of the two individuals behind the public figures will bring you as close as you are ever likely to get to the marriage that shaped the twentieth century.

36 of 36 people found the following review helpful.
Insight!
By James Hiller
Am I embarrassed to admit that I saw this book as a local bookstore on the table, and passed it up originally? Yes! I'm an unoffical scholar of our 32nd president and his wife, and admire their work and lives almost as I do this president: Lincoln, Life-Size.

The Roosevelts have a lure over me that I can't quite explain. Perhaps their persistent progressivism, that is so missing in our country today, refreshes. Whatever the case, when I saw the cover of the book on the table, I went over and leafed through a couple of pages ... and then walked on. Why? I thought, "Who needs to read another book on the Roosevelt marriage? Hasn't that been written about before?". The answer is yes, and no. Hazel Rowley's new book is a fresh look at this great couple, and a read that was well-worth my time.

First let me say that this book doesn't uncover any major new revelations. What Crowley has brilliant done is nuanced the current knowledge of the Roosevelts and added much dynamics and commentary to what we already know. For example, any Roosevelt reader knows about the infamous Mercer affair. Covered in this book, Mercer strives to paint a picture of Eleanor after the affair as not distant or unkind, but still caring of her husband. Crowley publishes excerpts of letters between the two that suggest just as much. In fact, when FDR contracts polio, it is Eleanor that nurses her husband, and even sleeps in the window bed beside him.

Crowley also strives to dismantle the common conception of the battle between Sara Roosevelt and Eleanor. While certainly conflicts existed between the two, they were mutually fond of each other. Crowley also presents some letters of fondness between the two women that show their affection. Was it perfect? No. The lives of two strong women are bound to come in conflict, and it did not diminish the feelings between the two. Tour FDR's house in Hyde Park, and a ranger will tell you just as much.

In fact, I ended up purchasing this book on my Kindle for that very purpose. Just prior to Thanksgiving, I had the honor of visiting his house And because I read this interesting book that focused not so much on history, but on love, the Roosevelts came alive for me ever more in that house. It's quite a read for quite a couple, and I cannot recommend it highly enough. This would must a great Christmas present for a Roosevelt fan in your family, or anyone wanting to read about an amazingly complicated marriage.

48 of 50 people found the following review helpful.
a fresh and novelistic view of the Roosevelt marriage
By Dr. Wayne S. Swift
Wow! As a Roosevelt scholar, I kept saying to myself, "I didn't know that!" Hazel Rowley is a gifted, generous yet economical writer. In only 302 novelistic pages she vividly depicts the forty year Roosevelt marriage and the whole community of friends, advisors, and lovers they created around them. As you zip through the years in a narrative that never bogs down, you will be amazed by the depth of her research. Missy LeHand, Lucy Mercer Rutherford, Daisy Suckley, Earl Miller, Lorena Hickock, and Louis Howe are fully realized here and placed securely in the context of a loving Roosevelt partnership. Cutting through myths and unfair characterizations, she confidently portrays a much stronger and more flexible marriage than previous biographers had dared to see. I love and admire the authority and courage with which she guides us through this complex and fascinating world.

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