Saturday, May 31, 2014

? Free Ebook Elizabeth Leads the Way: Elizabeth Cady Stanton and the Right to Vote, by Tanya Lee Stone

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Elizabeth Leads the Way: Elizabeth Cady Stanton and the Right to Vote, by Tanya Lee Stone

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Elizabeth Leads the Way: Elizabeth Cady Stanton and the Right to Vote, by Tanya Lee Stone

Elizabeth Cady Stanton stood up and fought for what she believed in. From an early age, she knew that women were not given rights equal to men. But rather than accept her lesser status, Elizabeth went to college and later gathered other like-minded women to challenge the right to vote.Here is the inspiring story of an extraordinary woman who changed America forever because she wouldn't take "no" for an answer.

Elizabeth Leads the Way is a 2009 Bank Street - Best Children's Book of the Year.

  • Sales Rank: #16210 in Books
  • Brand: Square Fish
  • Published on: 2010-02-16
  • Released on: 2010-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.07" h x .12" w x 8.49" l, .34 pounds
  • Binding: Paperback
  • 32 pages

From School Library Journal
Grade 1–4—Stone looks at the life of Stanton from childhood to her emergence as a pioneering leader of women's rights. The "strong-spirited, rule-breaking" girl asserted her independence by embracing physical and academic challenges and by questioning traditional viewpoints. This comes through in energetic, lucid prose that focuses on Elizabeth's ideas and feelings rather than on specific events. By consistently sticking to the subject's own experiences, without detours into historical details or even any dates, the author introduces a historical figure whom readers can relate to as a person. Excellent gouache and colored pencil illustrations, rendered in a lighthearted folk-art style, provide rich background for the brief text. They establish the time period through visual details and capture Stanton's spirit and the attitudes of those she encounters without overstatement. The book culminates with the event that propelled the woman into the national spotlight: her presentation at a convention in Seneca Falls, NY, in 1848, of the Declaration of Right and Sentiments, which included a call for women's voting rights. "Elizabeth had tossed a stone in the water and the ripples grew wider and wider and wider." An author's note briefly covers Stanton's subsequent accomplishments. Through words and pictures that work together and an emphasis on ideas and personality rather than factoids, this well-conceived introduction is just right for a young audience.—Steven Engelfried, Multnomah County Library, OR
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Most young people will be unfamiliar with Elizabeth Cady Stanton and what she accomplished. Stone goes a long way toward correcting that, wisely beginning with a pithy introduction that links the life of women in the early nineteenth century with that of readers today: “What would you do if someone told you you can’t be what you want to be because you are a girl? . . . your voice doesn’t matter? Would you fight for your rights? Elizabeth did.” What follows is a short, incisive biography covering some of the high points of Stanton’s life, beginning with her shocking realization about how unfairly the law treated women, which translated into Stanton’s lifelong work for women’s suffrage. In shorts text bites, Stone explains how Stanton met her abolitionist husband (and refused to give up her name), the origins of the women’s rights movement, and the effect of the Women’s Rights Conference in Seneca Falls, New York. This focus works well for the audience, though the brevity leaves some holes. Susan B. Anthony, for instance, is pictured, though unnamed. The child-pleasing artwork features characters a bit reminiscent of clothespin dolls, but the cameos of action, matched by full-page pictures, make the history accessible. A must for library shelves. Grades 1-3. --Ilene Cooper

Review

“This biography brims with upbeat energy as the spirited woman sets out to change the system--an energy amplified by Rebecca Gibbon's bright folk art-styled pictures.” ―The Washington Post

“A short, incisive biography . . . the cameos of action, matched by full-page pictures, make the history accessible. A must for library shelves.” ―Booklist, Starred Review

“[This book] fires up readers with a portrait of the 19th-century feminist Elizabeth Cady Stanton. . . . The sometimes informational tone is animated and energized by Gibbon's plentiful vignettes and paintings, rendered in a vibrant folk-art style.” ―Publishers Weekly

“Through words and pictures that work together and an emphasis on ideas and personality rather than factoids, this well-conceived introduction is just right for a young audience.” ―School Library Journal

“In lively prose well-matched by Gibbon's irrepressible images, Stone tells the story of suffragist Elizabeth Cady Stanton. . . . A fine introduction for very young readers to the woman and her key role in American history.” ―Kirkus Reviews

Most helpful customer reviews

4 of 4 people found the following review helpful.
Rutgers University Project on Economics and Children
By Yana V. Rodgers
Already at a young age, Elizabeth understood that American society considered girls inferior to boys. As she grew older, she became increasingly angry that women did not have the right to claim ownership of property or the money they earned, they could not attend the same colleges as men, they were not allowed to vote, and they were expected to have babies and stay home to take care of their families. She realized that one of the most effective ways to change women's status as secondary citizens and to change the existing laws was to give women the right to vote.

Together with several like-minded women, she wrote the Declaration of Rights and Sentiments, which called for a broad range of social, economic, legal, and political reforms to boost the status of women in American life. The Declaration was signed at the first American women's rights convention held in Seneca Falls, NY, in 1848. The demand for women's right to vote was the most controversial reform proposed at the convention, and Elizabeth worked the rest of her life to fight for women's right to vote.

This well-researched book does a nice job in explaining to children that the right to vote plays an important role in improving women's economic and social status. By emphasizing this link, the book embraces several concepts in economics related to human resources, work, discrimination, and property rights. Historical narratives about Elizabeth Cady Stanton abound, but Elizabeth Leads the Way is one of the few accounts of Elizabeth's leading role in the women's rights movement that is accessible to younger readers.

2 of 2 people found the following review helpful.
Inspirational for kids and adults
By Linda L. Houghton
In "Elizabeth Leads the Way", kids and adults can learn about Elizabeth Cady Stanton and why she believed that women should have the right to vote. This book inspires the reader to take action on something that they believe in. While it's a picture book, it presents Elizabeth's story in such a way that all ages can catch her vision.

1 of 1 people found the following review helpful.
Introduction to the life of one of the most important suffragists for young people
By M. Tanenbaum
In this book suitable for early elementary school-aged children, Tanya Lee Stone paints a colorful picture of one of the leading figures in the fight for women's rights, Elizabeth Cady Stanton. Delightfully illustrated in a folk art style by Rebecca Gibbon, the story of Elizabeth's life is told in simple language that is accessible for the youngest readers. The author begins with an illustration of Elizabeth Cady Stanton as an elderly woman, and draws us in right away with this provocative text:

What would you do
if someone told you
You can't be what you want to be
because you are a girl?

We see Elizabeth growing up, horrified by the injustices done to women, and committed to being able to do anything a boy could do, including excelling in Greek, French, math, and religious studies. When she married Henry Stanton, an ardent abolitionist, she told him she wouldn't give up her name but would add his to her own. Elizabeth became one of the organizers of the Seneca Falls Convention, the first large-scale meeting discussing women's rights, particularly their right to vote. She was widely criticized for her boldness, but as Tanya Lee Stone states in concluding her book, "Elizabeth had tossed a stone in the water and the ripples grew wider and wider and wider....She changed America forever."

An Author Note with additional biographical information and a list of sources are included.

While this book doesn't provide lots of details on Elizabeth Cady Stanton's life, it is a good starting point for young readers to explore the beginnings of the women's movement. Its attractive format and brief text are likely to create further interest in this pioneer of women's rights and her circle.

See all 17 customer reviews...

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Wednesday, May 28, 2014

## Ebook Download My Thirteenth Season, by Kristi Roberts

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My Thirteenth Season, by Kristi Roberts

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My Thirteenth Season, by Kristi Roberts

Fran Cullers is having a horrible summer. She was a star player on the Little League team in her old town, so the Highwater Hardwares should be thrilled to have her―except that they hate girls. Fran can run rings around these guys, but they won't even give her a chance. So she sets out to teach them a lesson. But Fran finds out that vengeance is a dangerous thing. Her best friend stops talking to her. Her childhood hero gives up on her. And Fran, who has already faced some terrible losses, is about to lose the most important thing in her life forever―baseball. Can she pull her game together before it's too late?

  • Sales Rank: #2762151 in Books
  • Published on: 2010-03-02
  • Released on: 2010-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.72" h x .44" w x 6.50" l, .28 pounds
  • Binding: Paperback
  • 160 pages

From School Library Journal
Grade 5-8–After moving to a new town, star baseball player Fran Cullers discovers that she is not welcome on the boys' team. Her father's grief over her mother's recent death prevents him from being much support or help. Although the coach is removed from the team for his abuse toward her, Fran is badly shaken and falls into a slump. She decides to give up the game, but finds that living without baseball is like living without her mom. In a fairly believable plot development, her one friend, Steven, and the Hardwares come to get Fran for an important game. Her dad rallies and coaches the Hardwares in a game in which Fran is back to her old form. Finally, it seems as though they will be able to resume their lives and share their love of baseball. The Cullers' Classic All Stars, Franny's dream team of all-time baseball greats whom she imagines talk to her, adds a touch of magical realism. The passion for baseball is an effective addition to this story about grieving over the death of wife and mother, and the supporting cast is effectively developed. Baseball terminology and names of some current players and many Hall of Famers add color to the story, but will be lost on those unfamiliar with the sport. Fran's development into a baseball player with heart makes the novel an interesting addition to fiction collections.–Debbie Stewart Hoskins, Grand Rapids Public Library, MI

From Booklist
*Starred Review* Gr. 5-8. Perhaps it wouldn't be fair to say that baseball is 13-year-old Fran's life. Still, since her mother's death a year ago and her father's subsequent emotional withdrawal, her love of baseball has kept her grounded. When a visit from the sheriff is needed to convince her new coach that (like it or not) he has a girl on his team, her former comfort zone becomes a place of confrontation. Conflict flares when Coach insists that Fran follow the rules by wearing a jock strap, and she retaliates by blatantly throwing the game. The situation climaxes in an unforgettable scene in which he bombards her with hard-pitched balls. At that point, even her snarky teammates realize that Coach has crossed the line. But Fran has crossed a line of her own. She finds herself increasingly disconnected from her old life and unable to recover what she has lost. Funny, harsh, and poignant by turns, this strong first-person narrative establishes Fran's character through the most colorful, accessible side of her story before gradually letting readers in on her rich inner life of imagination, memory, and dreams. Readers will find Fran a sympathetic character: hopeful yet tough, caustic when provoked, and uncharacteristically docile when she loses her way. An impressive first novel. Carolyn Phelan
Copyright © American Library Association. All rights reserved

Review

“[A] perfect middle school late-summer beach read. A nice little book, it presents a girl excelling in a ‘man's' sport. . . . This one might be the book to get reluctant readers reading. Definitely pitch it to them (no pun intended). Middle school and public libraries should own and display this book.” ―Voice of Youth Advocates

“The passion for baseball is an effective addition to this story about grieving over the death of wife and mother, and the supporting cast is effectively developed. Baseball terminology and names of some current players and many Hall of Famers add color to the story. . . . Fran's development into a baseball player with heart makes the novel an interesting addition to fiction collections.” ―School Library Journal

“Fran is a complex character and the plot is intense and well constructed. The conclusion hits just the right note, allowing new happiness and the promise of more.” ―Kirkus Reviews

Most helpful customer reviews

3 of 3 people found the following review helpful.
Kickin' Boy Butt & Lovin' It!!!!!
By A Customer
Fran is so super cool! I mean she just totally kicked the baseball boys butts and they knew it. I wish I could be as good at baseball as she is to teach my brothers not to tease me about not being able to hit as far as them. I really liked how no matter how much the boys on the team were mean to her that she was sooooooooo strong, she stood up to them. And how much they needed her on the team. I was like, you go girl when (well, I shouldn't tell you too much). But for sure, I'd totally be her friend if she went to my school.

2 of 2 people found the following review helpful.
great book for pre-teen girls
By NYC Mom
I loved this book, and so did my 11-year-old daughter. I asked my daughter what she liked about it, and she said, "Fran is so cool, and what happened to her could really happen. I loved it!" My translation: the characters ring true to a kid this age, and Fran is a sympathetic heroine kids will root for.

1 of 1 people found the following review helpful.
An awesome book for twelve to thirteen year old girls who are into sports..
By Anna C. Martinkus
My 13th Season is a book about a young yet mature girl named Franny Culler. Franny is on an all boys softball team and tends to be the laughing stock of the team so decides that she is tired of dealing with all of the boys and is going to do something about it. This book is perfect for fifth and sixth grade girls who are very into sports and need that extra encouragement to do what they want even if they are not accepted right away!
Franny's father had always coached her softball team until her mother passed away leaving Mr. Culler in a very deep depression and Franny a mature thirteen year old. Since her father no longer coached her team she was on a team with Coach Foster. Coach Foster did not like that there was a girl on the team and frequently encouraged the boys on the team to pick on her.
One day the team was learning how to get hit by the ball and just shrug it off. Coach Foster used Franny as the example and threw the ball as hard as he would have at one of the boys, if not even harder. This hit made it harder for her to focus; she began to flinch at pitches, which was unlike Franny because she was one of the Highwater Hardwares best players.
After getting hit by the example pitch Franny got very irritated and decided she was going to ruin everything for the team. She began to purposely miss easy catches, bunt at the wrong time, and strike out. Franny began losing all of her friends and family due to her strong interest in baseball and was going to ruin her own dream of becoming the world's first girl professional baseball player if no one was going to help her change her attitude towards the Hardwares'.
Just when Franny falls into a deep slump, her father finally chimes in to his daughters needs and decides to finish coaching the team. All of a Steven, Franny's best friend and teammate, along the rest of the boys ask for her help to win a very important game...
I don't want to ruin the rest of the book so you are going to have to read it to figure out what happens in the end!

See all 7 customer reviews...

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Tuesday, May 27, 2014

!! Ebook Download Let Me Go (Archie Sheridan & Gretchen Lowell), by Chelsea Cain

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Let Me Go (Archie Sheridan & Gretchen Lowell), by Chelsea Cain

"[A] masterful blend of psychological suspense and straight-up gore, chronicling the twisted bond between police detective Archie Sheridan and serial killer Gretchen Lowell."―Criminal Element

Detective Archie Sheridan just has to get through the next few days, then his birthday and Halloween will be over. But with escaped serial killer Gretchen Lowell on the loose, the investigation into the murder of a DEA agent demanding his attention, and journalist Susan Ward showing up at his apartment needing a favor, it's going to be a long weekend.



"Grabs you like a deadly undertow and doesn't let you go."―Parade magazine

Soon Archie finds himself crashing a masked ball on a private island owned by Jack Reynolds, a notorious local drug kingpin. By morning, Archie is back on painkillers, a guest is dead, and Archie quickly realizes that little is what it seems. One thing is clear: Gretchen is back, and Archie's nemesis and sometime lover has something special in mind for the birthday boy. Now, on Halloween Eve, with time running out and the life of someone close to Archie on the line, Archie knows his only chance is to give Gretchen exactly what she wants. But Gretchen will prove more horrifying, and unpredictable, than Archie ever could have imagined…in Let Me Go by Chelsea Cain.

"Gretchen Lowell isn't just the most fascinating villain…to appear in crime fiction in many, many years; she's also becoming a multifaceted character capable of engendering a much wider range of emotions than one would expect of somebody who enjoys carving up spleens."―Booklist (starred review)

  • Sales Rank: #142260 in Books
  • Published on: 2014-04-29
  • Released on: 2014-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x 1.05" w x 4.25" l, 1.00 pounds
  • Binding: Mass Market Paperback
  • 384 pages

From Booklist
*Starred Review* It figures that nonpareil serial killer Gretchen Lowell, on the loose since Kill You Twice (2012), would pick Halloween for a return trip to Portland, Oregon. After all, with all those revelers adorned in Beauty Killer masks, blond wigs, and red lipstick, no one will be able to tell the real Gretchen from the imitations. Except police detective Archie Sheridan, of course, on whose battered body Gretchen has done some of her best work, and who still can’t get Gretchen out of both his nightmares and sexual fantasies. But Archie has a lot on his mind. A DEA agent has been murdered, and it looks like the long-running sting operation aimed at a local drug lord may be in jeopardy. Hoping to learn more, Archie crashes the drug lord’s Halloween costume party, where he gets a late-night visit from Gretchen (or was that part just a fantasy?). Slowly Archie realizes that Gretchen has been stage-managing much of his recent life from afar, all leading up to a series of birthday surprises that put Archie’s pal, punky reporter Susan Ward, in grave danger. But here’s the thing: Cain knows she needs to keep playing with the dynamic between Gretchen and Archie—and even with our view of Gretchen—if this series is going to stay both fresh and exciting, and she always finds new ways to do it. Gretchen Lowell isn’t just the most fascinating villain (and certainly the most appealing serial killer) to appear in crime fiction in many, many years; she’s also becoming a multifaceted character capable of engendering a much wider range of emotions than one would expect of somebody who enjoys carving up spleens. HIGH-DEMAND BACKSTORY: Cain’s previous Archie Sheridan and Gretchen Lowell thrillers have routinely appeared on the New York Times bestseller lists, and the legion of fans who can’t get enough of the Beauty Killer will be lining up for more. --Bill Ott

Review

“Excellent writing…ferocious…refreshing.” ―Stephen King, Entertainment Weekly

“Another masterful blend of psychological suspense and straight-up gore, chronicling the twisted bond between police detective Archie Sheridan and serial killer Gretchen Lowell.” ―Criminal Element

“Gretchen Lowell isn't just the most fascinating villain (and certainly the most appealing serial killer) to appear in crime fiction in many, many years; she's also becoming a multifaceted character capable of engendering a much wider range of emotions than one would expect of somebody who enjoys carving up spleens…The legion of fans who can't get enough of the Beauty Killer will be lining up for more.” ―Booklist (starred review)

“Cain's novel has headlong pacing, endearing characters, twisted humor, and scalpel-sharp descriptions of murder and mayhem. It grabs you like a deadly undertow and doesn't let you go.” ―Parade magazine

“[Chelsea Cain] creates stories that are razor-sharp in their delivery and heart stopping in their presentation. . . Kill You Twice is one of her best efforts.” ―The Huffington Post on Kill You Twice

“Masterful on every level.” ―Booklist (starred review) on Kill You Twice

“Utterly engrossing.” ―Publishers Weekly (starred review) on Kill You Twice

“The fifth novel to feature Portland detective Archie Sheridan and his nemesis, Gretchen Lowell, delivers the shocks.” ―Miami Herald on Kill You Twice

“[Chelsea Cain] wields her words like the sharpest of blades, carving away at reality to create unimaginable horrors. . .Cain writes tense narrative that crackles like the air in a summer thunderstorm, rife with danger.” ―Louisville Courier Journal on Kill You Twice

“Cain's talent for gory detail, wry humor, and expertly braiding together plotlines into a fine mesh is a fresh spark of life. Kill You Twice is a taut thriller that will delight and rattle fans and newcomers alike.” ―Portland Monthly Magazine on Kill You Twice

“High-octane…quick-paced…frightening…The world that Cain creates is as dark and ominous as ever….This is the mood that Cain has mastered: the dread of knowing that something is off…It is what presses her readers onward, pulses racing.” ―The New York Times Book Review on The Night Season

“The Night Season has headlong pacing, endearing characters, twisted humor, and scalpel-sharp descriptions of murder and mayhem. It grabs you like a deadly undertow and doesn't let go.” ―Parade magazine (Parade Picks) on The Night Season

“The suspense is plentiful and Cain's evocation of the gloomy atmosphere and Portland setting is superb…excellent…the new queen of serial-killer fiction.” ―Kirkus Reviews on The Night Season

“Cain easily weaves the history of the real-life Vanport flood with her trademark heart-stopping moments, and fans will be pleased to see the series flourishing without Gretchen on every page.” ―Publishers Weekly (A Top 10 Mystery of the Year) on The Night Season

“Chelsea Cain has a scary talent for creating twisted characters...deliciously creepy.” ―Fresh Fiction on The Night Season

“Superb…Cain pinned readers to their seats with a unique mix of horror, black humor, and psychological tension. This time she adds another arrow to her narrative quiver: the interplay between landscape and mood…Terrifying.” ―Booklist (starred review) on The Night Season

“She's the most twisted--and most beautiful--serial killer on the planet, and she's back... It's not to be missed.” ―USA Today on Evil at Heart

“You have to hand it to Cain, who's made the serial-killer genre a thoroughly female-friendly experience. . . . [She] churns stomachs with a delicate touch.” ―The New York Times Book Review on Evil at Heart

“Remember the old debate about which is mightier, the pen or the scalpel? In Evil at Heart, both are in the same hands, and both cut all the way to the bone.” ―The Oregonian on Evil at Heart

“Cain is among a new breed of women writers stepping way out of the stereotypical female comfort zones… serving up meatier and more gruesome stories…. Cain knows how to keep readers fortified with psychological drama.” ―Chicago Sun Times on Evil at Heart

“The narrative bounces along with Cain's trademark mix of tight plotting, creepy characters, and body parts.” ―Charlotte Observer on Evil at Heart

“Cain continues to display her remarkable ability to probe the psyches of her characters... Popular entertainment--the kind that mixes crime, horror, and even a little black comedy--just doesn't get much better than this.” ―Booklist (starred review) on Evil at Heart

“We've been down Hannibal Lecter Avenue many times, and these books shouldn't work...but they do. Chalk it up to excellent writing and Cain's ferocious sense of humor. The Portland (Ore.) setting is refreshing, too.” ―Stephen King on Sweetheart, Entertainment Weekly (A Top-Ten Book of the Year)

“Sensual and engulfing…keeps us turning the pages.” ―The New York Times Book Review on Sweetheart

“Superb...With its brisk pacing, carefully metered violence and tortured hero, Cain's sophomore effort will leave readers desperate for more.” ―Publishers Weekly (starred review) on Sweetheart

“Cain's debut Heartsick had even the most jaded thriller fans sleeping with the lights on. She tells an equally frightening story in Sweetheart.” ―USA Today on Sweetheart

“Profoundly creepy and disturbing.” ―The Boston Globe on Sweetheart

“A sharp psychological inquiry into evil and obsession, as well as a deeply unhealthy love story.” ―The Seattle Times on Sweetheart

“Sweetheart is not afraid to explore damage too severe to be undone.” ―Los Angeles Times on Sweetheart

“The forces that conspired to make Cain's Heartsick a bestselling page-turner last year have reunited in its sequel...With her preternatural grasp of pacing and ability to create vivid characters with astonishing economy, Cain expertly drives her narrative.” ―Los Angeles Times on Sweetheart

“[Cain] pushes the form to an undeniably persuasive and irresistible guilty pleasure.” ―The Oregonian on Sweetheart

“There are numerous thrills to be had.” ―Kirkus Reviews on Sweetheart

“White-hot.” ―Sacramento Bee on Sweetheart

“High octane” ―Library Journal on Sweetheart

“Chelsea Cain is a rising star...Sweetheart reunites the characters of her terrific hit debut [and] advances the Archie-Gretchen relationship exotically and dramatically.” ―The Sunday Times (London) on Sweetheart

“The writing style, combined with a Thomas Harris-like relish for human gore, translated into a remarkably fresh and exciting thriller that didn't miss the opportunities for laughs in the midst of the carnage.” ―Toronto Star on Sweetheart

“A distinctive and disturbing novel that blurs the lines between suspense fiction and psychological suspense…Mystery fans who enjoy their whodunits decidedly creepy should thoroughly enjoy this fast-paced and downright gruesome psychological thriller.” ―Chicago Tribune on Heartsick

“Move over, Hannibal Lecter! Chelsea Cain's thriller boasts a wicked new serial murderer…one of the most seductive and original psychopaths since Hannibal…In addition to spiky characters, Cain has a crisp voice, a wicked sense of humor, and an imagination for all the horrors that can unfold in a locked basement…a profoundly creepy thriller.” ―Entertainment Weekly on Heartsick

“Readers will feel Archie's exquisite pain, and they'll relate to the troubled young reporter…An excellent choice for mystery readers who like to be creeped out.” ―The Miami Herald on Heartsick

“Thoroughly engaging... The journey to the end of Heartsick is more pleasure than pain.” ―Seattle Post-Intelligencer on Heartsick

“It does the Hannibal Lecter genre proud. You'll find yourself waiting anxiously for the planned next book in the series.” ―Rocky Mountain News on Heartsick

“Heartsick is a very different, and a very good, novel...The twisted tale of Archie and Gretchen is enough to hold any novel together, but Cain adds a perfectly detailed hunt to the mix...There are more books to come in this series. I can hardly wait.” ―Toronto Globe on Heartsick

“Thoroughly compelling.” ―The Seattle Times on Heartsick

“One of the most original serial-killer thrillers to appear in several years…Throw out all your assumptions about the sameness of serial-killer novels; this one breaks the mold… The thriller of the year.” ―Booklist (starred review) on Heartsick

“The book puts such an original spin on [serial-killer novels] that Cain might as well have invented a new genre… It deserves a wide audience.” ―Toronto Star on Heartsick

“Outstanding…[Lowell] is as memorable a villain as Hannibal Lecter…A vivid literary style lifts this well above the usual run of suspense novels.” ―Publishers Weekly (starred review) on Heartsick

“Cain creates a cleverly contorted thriller plot and characters with memorable personalities.” ―Kirkus Reviews on Heartsick

“Packed with razor-edged character studies, realistic dialogue and an unyielding plot, Heartsick is on of the year's freshest and most original mysteries...The brisk plot never lets up as Cain keeps the suspense level high. Heartsick is a superb police procedural.” ―Florida Sun-Sentinel on Heartsick

“A gory suspense piece that is absolutely impossible to put down… Stylistically, this is great stuff for true-crime readers and for those who enjoy Jan Burke's Irene Kelly series. Recommended.” ―Library Journal on Heartsick

“Dark, distressing and disturbing, Heartsick is also a triumph of the human heart. Just pray you never meet Gretchen.” ―Val McDermid, bestselling author of The Grave Tattoo, on Heartsick

“An excellent choice for mystery readers who like to be creeped out.” ―Fort Worth Star Telegram on Heartsick

“I'm looking forward to the next adventure of this unlikely pair.” ―St. Louis Post-Dispatch on Heartsick

About the Author

Chelsea Cain's five novels featuring Archie Sheridan―Heartsick, Sweetheart, Evil at Heart, The Night Season, and Kill You Twice―have all been New York Times bestsellers. Also the author of Confessions of a Teen Sleuth, a parody based on the life of Nancy Drew, and several nonfiction titles, she was born in Iowa, raised in Bellingham, Washington, and now lives in Portland, Oregon, with her family.

Most helpful customer reviews

35 of 42 people found the following review helpful.
Getting stale!
By Linda S. Dimezza
I love Chelsea Cain. I really do. Archie is an amazing character, flaws and all. And the other characters that this author created add to the joy of reading her series. But, really, Gretchen is not Spiderwoman or Wonder Woman or Cat Woman. She is just another serial killer who needs to be caught and put down like you would a rabid dog. I am sure that the author can create new stories for this wonderful cast of characters. But to continue with the Gretchen/Archie back-and-forth is getting rather boring. Archie needs to be free of this woman and continue on with his life. I am sure that there are other "psychopaths" roaming about that Archie and Company can apprehend. Hopefully, if there is another, Gretchen will be found and go away permanently.

14 of 17 people found the following review helpful.
Enough !?
By Deb
Like most other reviewers, I feel I have to state I do (did?) love this series. With the first book, I was hooked. But, it's getting very very stale. As a character, Archie is (or should be) too savy to continue with this Gretchen obsession. And Gretchen is becoming a caricature. And an annoying one, at that. She's lost the 'shock' factor and has become tiresome and predictable.
It almost felt as if the flash-backs were written in to fill space. They added nothing to the depth of the characters or the plot advancement.
The supporting cast has become the most interesting part of the stories. Move Archie away from Gretchen - get him back with his core group and solve some other murders.

9 of 11 people found the following review helpful.
THE MUSE HAS DESERTED CHELSEA CAIN!
By George Peabody
Cain is beating a dead horse as the saying goes, when she keeps reviving the evil Gretchen and aligning her with Archie, who, in my opinion lost his mind a couple of books ago. This book overdoes the sex, the perversion, and includes action that at times is so absurd as to be surreal. Even at the beginning of the story I lost interest in the entire scenario; it was mundane and unoriginal. Moreover, the story plods along just waiting for the next vulgar and boring development. It's time to go in other direction, probably with new characterizations. This book left a really bad taste in my psyche!

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Friday, May 23, 2014

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Orange Sunshine: The Brotherhood of Eternal Love and Its Quest to Spread Peace, Love, and Acid to the World, by Nicholas Schou

Few stories in the annals of American counterculture are as intriguing or dramatic as that of the Brotherhood of Eternal Love.

Dubbed the "Hippie Mafia," the Brotherhood began in the mid-1960s as a small band of peace-loving, adventure-seeking surfers in Southern California. After discovering LSD, they took to Timothy Leary's mantra of "Turn on, tune in, and drop out" and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process.

Just days after California became the first state in the union to ban LSD, the Brotherhood formed a legally registered church in its headquarters at Mystic Arts World on Pacific Coast Highway in Laguna Beach, where they sold blankets and other countercultural paraphernalia retrieved through surfing safaris and road trips to exotic locales in Asia and South America. Before long, they also began to sell Afghan hashish, Hawaiian pot (the storied "Maui Wowie"), and eventually Colombian cocaine, much of which the Brotherhood smuggled to California in secret compartments inside surfboards and Volkswagen minibuses driven across the border.

They also befriended Leary himself, enlisting him in the goal of buying a tropical island where they could install the former Harvard philosophy professor and acid prophet as the high priest of an experimental utopia. The Brotherhood's most legendary contribution to the drug scene was homemade: Orange Sunshine, the group's nickname for their trademark orange-colored acid tablet that happened to produce an especially powerful trip. Brotherhood foot soldiers passed out handfuls of the tablets to communes, at Grateful Dead concerts, and at love-ins up and down the coast of California and beyond. The Hell's Angels, Charles Mason and his followers, and the unruly crowd at the infamous Altamont music festival all tripped out on this acid. Jimi Hendrix even appeared in a film starring Brotherhood members and performed a private show for the fugitive band of outlaws on the slope of a Hawaiian volcano.

Journalist Nicholas Schou takes us deep inside the Brotherhood, combining exclusive interviews with both the group's surviving members as well as the cops who chased them. A wide-sweeping narrative of sex, drugs, and rock 'n' roll (and more drugs) that runs from Laguna Beach to Maui to Afghanistan, Orange Sunshine explores how America moved from the era of peace and free love into a darker time of hard drugs and paranoia.

  • Sales Rank: #98900 in Books
  • Published on: 2011-12-06
  • Released on: 2011-12-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .90" w x 5.52" l, .61 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Drug dealers with delusions of grandeur populate this colorful but overwrought history of the Brotherhood of Eternal Love, a 1960s-era narcotics ring–cum–hippie church. Influenced by psychedelic prophet Timothy Leary—who called the group's leader, former high school bully John Griggs, the holiest man in America—the California-based Brotherhood styled its cheap, extra-strength Orange Sunshine brand of LSD as a pathway to God. Journalist Schou (Kill the Messenger) takes the spiritual purpose of these psychedelic warriors, along with their solemn acid-dropping sacraments and utopian pipe dreams, rather too seriously. (He likewise inflates their sporadic ventures scoring Mexican marijuana and Afghan hashish into a global smuggling empire.) His narrative quickly devolves into a haphazard picaresque of drug deals, drug busts, overdoses, surfing, rock concerts (Jimi Hendrix does a cameo), orgies, and people living in teepees. Schou sometimes forgets that reading about other people's acid trips—The whole sky took on huge forms of dancing Buddhas and the energy got really bright—is a drag. Still, the mixture of lively freakery and stoned pomposity gives his portrait of countercultural excess an authentic period feel. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The Brotherhood of Eternal Love was a group of 1960s hippie visionaries with a plan. Imagine an America in which LSD is a common source of inspiration and insight for the whole populace, and the pronouncements of Timothy Leary, Ram Dass, and other academic space cowboys are prized philosophical touchstones. Such, more or less, was the group’s goal as producer-distributors of the famous Orange Sunshine LSD that was a part of campus all over America in the late ’60s. At its organizational peak, the Brotherhood funded the Weather Underground and the Black Panthers to successfully break Leary out of prison. Schou interviewed remaining Brotherhood members (who, unlike acid-gobbling pop musicians, seem to have largely retained their memories), gleaning impressive amounts of detail for his discussions of the ins and outs of the era’s drug trade and the moving of vast quantities of marijuana and hashish along with the LSD. Loaded with little-known historical mots, this is an excellent chronicle of a piece of history unlikely to be repeated. --Mike Tribby

Review

“Nicholas Schou manages -- amazingly -- to penetrate four decades of silence….The result is a mind-blowing scrap of found history, like something buried deep in the earth -- and you cannot avert your eyes….With Orange Sunshine, Schou has crafted a definitive history of the dark side of the 1960s.” ―Los Angeles Times

“'Orange Sunshine,' is as close to an 'authorized' story as there's likely to be. Much of it reads more like fiction than history....the Brotherhood's story reads like some mystical adventure tale from a long-gone era. But for a peek at those heady times, 'Orange Sunshine' is one worthy flashback.” ―San Francisco Chronicle

“Journalist Nicholas Schou did yeoman's work digging into the story of the band of hippies that became a huge LSD cartel in the 1970s. He interviewed many former members, some of them not that happy to be found, earning their trust over some four years.” ―San Diego Union-Tribune

“Schou interviewed remaining Brotherhood members (who, unlike acid-gobbling pop musicians, seem to have largely retained their memories), gleaning impressive amounts of detail for his discussions of the ins and outs of the era's drug trade and the moving of vast quantities of marijuana and hashish along with the LSD. Loaded with little-known historical mots, this is an excellent chronicle of a piece of history unlikely to be repeated.” ―Booklist

“A fascinating read for any audience and essential history for anyone interested in the roots of psychedelia.” ―Kirkus Reviews

“His book is a roller-coaster ride through many of the Brotherhood's biggest smuggling adventures, and also provides hilarious details into daily life in Dodge City. Most important, Schou finally dispels the myth Tim Leary was the leader of the Brotherhood of Eternal Love.” ―High Times (Four "cannabis" review)

“Colorful … the mixture of lively freakery and stoned pomposity gives [Schou's] portrait of countercultural excess an authentic period feel.” ―Publishers Weekly

“OC Weekly reporter Nicholas Schou spent four years uncovering the brotherhood's surreal, largely unknown story, pulling together written accounts of its history and run-ins with the law and persuading brotherhood members to be interviewed decades after its demise....Read Schou's well-researched and compelling book to decide for yourself about the brotherhood's true legacy.” ―Orange Coast magazine

“His reporting is diligent, and his story comes mostly from the mouths of participants speaking for the first time on the record after decades of hiding deep underground. That story deserves to be told.” ―Reason

“Orange Sunshine reads so much like classic Thomas Pynchon--with its mind-bending and hilarious tale of a secret society of mystic surfers who bomb Southern California with LSD--that the reader has to wonder: Is 'Nick Schou' a pseudonym?” ―Mike Davis, author of City of Quartz, Planet of Slums, and In Praise of Barbarians

“Nick Schou has uncovered a bizarre, wild ride of a story that seems straight out of Easy Rider or Zabriskie Point--except it really happened. Orange Sunshine serves as a valuable time capsule from the American counterculture. It's also one hell of a fun read.” ―Rob Kirkpatrick, author of 1969: The Year Everything Changed

Most helpful customer reviews

48 of 49 people found the following review helpful.
I was there
By John B. Goode
I'm surprised at the negative reviews of this book as far as content is concerned. Nick interviewed all persons willing to give input into his book.
Many of the "brothers" are silent today. They are laying low, out of sight and hopefully out of the attention of the agencies who pursued us for so many years.
For many years, late into the seventies, I was stopped and searched by Customs agents whenever I was returning from an international trip. It had the effect of making one desire to be invisible. I don't personally know or remember, "Thumper." He apparently became a protege of John Gale after I left. But much of what he details sounds accurate. The theme I most appreciate about this particular story about the Brotherhood is that (at least in the sixties) we did not exist to make money (although money is nice) but were greatly fueled by a desire to change a world which seemed to be heading for violent chaos or at the very least, a mindless- cookie cutter society. We had become transformed by the taking of LSD and mellowed by the smoking of pot and hashish. This book describes the feeling of those times.

23 of 25 people found the following review helpful.
A helluva good story
By Anthony Pignataro
First I have to note that Nick Schou and I go back a few years. He gave my first reporting job back at OC Weekly in 1996. He's an outstanding writer, reporter and friend. And he knows a good story when he finds one.

Here he's managed to describe in surprisingly colorful detail an underground of hippie drug smugglers that spent the late 1960s hopping between Laguna Beach, Maui and Afghanistan. Tim Leary's here, of course, but so are a band of characters far more interesting and idealistic, in my opinion. That nearly all spoke to Schou on the record is testament to his skills as a reporter.

One one level this is a crime story: the evolution of a hippie drug smuggling operation and the cops who eventually took it down. But it's also a larger than life story about people who used highly illegal and unconventional ways to, in their point of view, bring peace on earth.

Put simply, it's a fascinating read.

21 of 23 people found the following review helpful.
An important story
By kevnm
This is a great book for anyone interested in the 60s, the counterculture, lsd, and the period of time when many thought a cosmic change of human consciousness was possible. Having just finished "The Harvard Psychedelic Club," I was happy to find a completely different look at the same period in "Orange Sunshine."

Although Leary figures in both books, "Orange Sunshine" is not about Harvard Professors, Beatnik Poets or famous writers. The Brotherhood was made up of lower middle-class suburban boys whose interest in cars and football were replaced by visions of god after taking LSD. John Griggs, the charismatic leader, had visions of establishing a hippie utopia on a tropical island and began selling some drugs to finance his vision. Griggs, an apparently sincere religious seeker, saw his vision give way to ego and money as the brotherhood morphed into an international drug smuggling ring.

This rise and fall takes place in suburban Orange County, Mexico, Afghanistan and Maui, and makes for an intiguing social history. The cast of characters, their adventures, their acid trips and their legal skirmishes provide great stories and add to the rich story of that decade. Highly recommended.

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Sources of Western Society Since 1300, by Amy R. Caldwell, John Beeler, Charles Clark

This primary source collection provides a diverse selection of sources to accompany each chapter of A History of Western Society, Tenth Edition. Each chapter contains at least five sources that present history from the viewpoints of well-known and ordinary individuals alike. Now with 19 visual sources and 30% more documents, this edition offers great breadth and depth in its sources. To foster lively comparative debates, a new “Viewpoints” feature in each chapter highlights two or three documents that address the same topic from different perspectives.

  • Sales Rank: #712590 in Books
  • Published on: 2010-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x .64" w x 6.06" l, 1.00 pounds
  • Binding: Paperback
  • 432 pages
Features
  • ISBN13: 9780312640781
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

0 of 0 people found the following review helpful.
Perfect condition
By skoolkid
This book exceeded my expectations. It came to me with no wearing, tears, wrinkles, or highlighting. The book has many questions in it and there was no answering in the book. I love it and it has been working perfectly for me so far. :)

0 of 0 people found the following review helpful.
Seems decent...
By Niemah Blackwood
This is a required text for my Summer class. It appears to be a well written book. My only comment for certain subject books is the reading should be engaging. This few pages I read the book doesn't seem to be written like that.

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Thursday, May 22, 2014

>> Free Ebook Moominpappa's Memoirs (Moomins), by Tove Jansson

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Moominpappa's Memoirs (Moomins), by Tove Jansson

Before he had a family, Moominpappa led a life of adventure and intrigue. But he's never told his story until now. He has a bad cold, and it's the perfect time to remember his youthful endeavors and to ponder the experiences which have made him the remarkable Moomin he is.

  • Sales Rank: #186046 in Books
  • Brand: Square Fish
  • Published on: 2010-04-27
  • Released on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x .52" w x 5.50" l, .40 pounds
  • Binding: Paperback
  • 192 pages

From School Library Journal
Grade 3-6-Moominpappa has a terrible cold and decides that the best thing to do under the circumstances is to remain quiet and compile his memoirs. In a ponderous manner, he writes of his escape from a foundling home, his link-ups with Joxter, Muddler, and Hodgekins, and the escapades that follow. He reads the chapters aloud to his own little Moomintroll and to the sons of his fellow adventurers. Often they react as many readers will: "But all those sad feelings...are a bit unnecessary. It's all so long." Warburton's translation retains the witty and clever tone of the Finnish writer's tales of Moominland, but the allusions and sardonic humor are often too sophisticated to appeal to the young audience this animal fantasy is likely to attract. For instance, Moominmanna responds to one of Moominpappa's readings, "'Everything'll be much more vivid if you have some passages where you aren't bragging.'" The story moves slowly and the characters, with the exception of the Muddler, don't come alive. A selection mainly for fans of the author's previous stories set in Moominland.
Suzanne Hawley, Laurel Oak Elementary School, Naples, FL
Copyright 1994 Reed Business Information, Inc.

Review

“There is, in short, everything in the Moon books: giant comets and secret caves and tree houses and stilts and magic-carpet clouds and amusement parks run by despotic practical-joking kings and time machines and ski instructors.” ―Harper's

“We need Moominland for its gentle pace, its sense of beauty and awe, and its spirit of friendliness and empathy―now more than ever.” ―The Horn Book

“These charming fantasies are propelled by a childlike curiosity and filled with quiet wisdom, appealing geniality, and a satisfying sense of self-discovery.” ―School Library Journal.com

“If you had no shame reading Harry Potter on the subway, there's no need to hide Tove Jansson's witty, whimsically illustrated Finnish series.” ―Daily Candy

“The Moomin books make for both splendid bedtime read-alouds and solitary savoring.” ―Wall Street Journal

“It's more than forty years since Jansson's Moomintrolls first appeared. I found the writing and invention as appealing as ever. She has a thistledown touch.” ―The Washington Post Book World

“The adventures of the easygoing Moomintrolls have all the crispness and tart surprise of a lingonberry, thanks to Jansson's ineffably light touch, her uncanny sensitivity to universal childhood emotions, and her gift for terse, naturalistic dialogue.” ―Entertainment Weekly

“A gentle, offbeat fantasy.” ―The Horn Book

“A lost treasure now rediscovered . . . A surrealist masterpiece.” ―Neil Gaiman

“Jansson was a genius of a very subtle kind. These simple stories resonate with profound and complex emotions that are like nothing else in literature for children or adults: intensely Nordic, and completely universal.” ―Philip Pullman

“Tove Jansson is undoubtedly one of the greatest children's writers there has ever been. She has the extraordinary gift of writing books that are very clearly for children, but can also be enjoyed when the child, like me, is over sixty and can still find new pleasures with the insights that come from adulthood.” ―Sir Terry Pratchett

“Clever, gentle, witty, and completely engrossing.” ―Jeff Smith, author of Bone

“It's not just Tove Jansson's wonderfully strange fairytale world that so appeals but also her beautiful line work and exquisite sense of design.” ―Lauren Child

“[Tove Jansson] is a master.” ―The Times Literary Supplement (London)

“The most original works for children to be published since the Pooh books, and possibly, since Alice.” ―Saturday Review

“You will declare yourself a citizen of Moominvalley and call the stories your own--the Moomin world is that compelling.” ―Riverbank Review

Language Notes
Text: English (translation)
Original Language: Swedish

Most helpful customer reviews

17 of 17 people found the following review helpful.
Not a good introduction, but still among one of the best!
By A Customer
After Moominsummer madness, Tove Jannson slipped into a more subtle and even philosophical vein (that is, more philosophical then the first three books), however, Memoirs (formerly Exploits of Moominpapa) returns to the more slapstick antics of her early book. Although I am a fan of all of these books, Memoirs was a welcome return to that earlier style, though it in itself is a unique entry in the series. In Memoirs, Moominpapa is both a wonderfully adorable character as well as a characture or himself, filled with pride, egotism, and prejudice--making him all the more human. The story itself is almost a parody of the big rolling adventure tales, full of various fantastic happenings, and culminating in Moominpapa's dilemma: to following his adventuring instinct, or another instinct that drives him to build moominhouses with moomin verandahs, etc etc... The end is as happy as finn family moomintroll, maybe even happier--completely over the top. Although this shouldn't be the first moominbook to read (since knowledge of the characters is pretty central to the humor here) it is nonetheless one of the most uplifting books in the series and I can't recommend it more!!!

5 of 5 people found the following review helpful.
A truly magical world
By Michael Fridman
Tove Jansson was a Swedish-speaking Finnish writer and illustrator who wrote many childrens books including the famous Moomin series. Here, the setting is Moominvalley which is basically the natural beauty and pristineness of Finland, populated by Moomins (who look like little hippos which stand upright and are fluffy) and a host of other weird and wonderful creatures. The action is mainly centred around the family with Moominpappa, Moominmamma and Moomintroll the kid. They set a tone for the whole series as Tove infused them and their whole universe with experiences of her own family which seem to have been a very bohemian, artistic, tolerant and warm lot. This makes the books great reading for kids from an early age as they invoke a wonderful sense of fun and silliness as well as acceptance and openmindedness.

One thing I remember from reading these as a kid is that the plot didn't really matter. In some books, it's hard to say exactly what happens. Rather, it is the atmosphere that I found the most important. In this book, Moominpappa writes his memoirs of his adventures when he ran away from home as a boy, and his encounters with creatures like an undignified prankster king.

A great series overall, filled with imagination, surrealism, fun and warmth.

2 of 2 people found the following review helpful.
Not At All the Same as Moominpappa's Memoirs
By Atli Hafsteinsson
I knew that The Exploits of Moominpappa was an earlier version of Moominpappa's Memoirs, but those who have not read both books will not appreciate the sheer difference in not only the text but the subtext as well.

Entire passages from Moominpappa's Memoirs are simply not present in Exploits. The incident with the broken ice and Moominpappa's depression are not even present. On the other hand, the dialogue and relationships between the characters feels much warmer, somehow, in Exploits. It's more direct and to the point than Memoirs, and Moominpappa is somehow less egocentric in his retelling in Exploits. His many recounts on, for example, the stars of his birth and the behaviours of Mymbles is not here, and his relationship with the Hemulen is much less of a focal point (that whole part of his story is much shorter in Exploits). The number of interactions between his family as he's writing the book is also much less in Exploits; the beginning chapter of Memoirs is not present here.

Even the plot points that the two books share are often noticeably different, with different dialogue and motives. Moominpappa and Hodgkin's falling out doesn't happen in Exploits, and there is even a second island.

So you see, Exploits and Memoirs are not at all the same, and I recommend both books for fans. Both books have something to offer that the other lacks.

See all 17 customer reviews...

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Through the Language Glass: Why the World Looks Different in Other Languages, by Guy Deutscher

Through the Language Glass: Why the World Looks Different in Other Languages, by Guy Deutscher



Through the Language Glass: Why the World Looks Different in Other Languages, by Guy Deutscher

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Through the Language Glass: Why the World Looks Different in Other Languages, by Guy Deutscher

A New York Times Editor's Choice
An Economist Best Book of 2010
A Financial Times Best Book of 2010
A Library Journal Best Book of 2010

The debate is ages old: Where does language come from? Is it an artifact of our culture or written in our very DNA? In recent years, the leading linguists have seemingly settled the issue: all languages are fundamentally the same and the particular language we speak does not shape our thinking in any significant way. Guy Deutscher says they're wrong. From Homer to Darwin, from Yale to the Amazon, and through a strange and dazzling history of the color blue, Deutscher argues that our mother tongues do indeed shape our experiences of the world. Audacious, delightful, and provocative, Through the Language Glass is destined to become a classic of intellectual discovery.

  • Sales Rank: #45002 in Books
  • Published on: 2011-08-30
  • Released on: 2011-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.31" h x .88" w x 6.22" l, .90 pounds
  • Binding: Paperback
  • 320 pages

Review

“Fascinating reading.… Deutscher does not merely weave little-known facts into an absorbing story. He also takes account of the vast changes in our perceptions of other races and cultures over the past two centuries.” ―Derek Bickerton, The New York Times Book Review

“An informative, pleasurable read… A gifted writer, Deutscher picks his way nimbly past overblown arguments to a sensible compromise.” ―Amanda Katz, The Boston Globe

“A thrilling and challenging ride.” ―Christopher Schoppa, The Washington Post

“Brilliantly surveys the differences words and grammar make between cultures.” ―Carlin Romano, The Chronicle of Higher Education

“A most entertaining book, easy to read but packed with fascinating detail.” ―Michael Quinion, World Wide Words

“Through The Language Glass is so robustly researched and wonderfully told that it is hard to put down... Deutscher brings together more than a century's worth of captivating characters, incidents, and experiments that illuminate the relationship between words and mind... He makes a convincing case for the influence of language on thought, and in doing so he reveals as much about the way color words shape our perception as about the way that scientific dogma and fashion can blind us.” ―Christine Kenneally, New Scientist

“Entertainingly written and thought-provoking… Deutscher has a talent for making scientific history read like an engrossing adventure… I recommend this intelligent and engaging book to anyone seeking an introduction to the relationship between language, thought, and culture.” ―Margery Lucas, PsycCritiques

“This fabulously interesting book describes an area of intellectual history replete with brilliant leaps of intuition and crazy dead-ends. Guy Deutscher, who combines enthusiasm with scholarly pugnacity, is a vigorous and engaging guide to it… A remarkably rich, provocative, and intelligent work.” ―Sam Leith, The Sunday Times (UK)

“A brilliant account of linguistic research over two centuries… As befits a book about language, this inspiring amalgam of cultural history and science is beautifully written.” ―Clive Cookson, Financial Times (UK)

“A delight to read.” ―Christopher Howse, The Spectator (UK)

“Fascinating and well written… Deutscher's scholarly and eloquent prose made the book an enjoyable read and I learnt lots of great anecdotes along the way.” ―Alex Bellos, The Guardian (UK)

“Deutscher writes as clearly and engagingly as can be… Will this study of language make you giddy? Oh, absolutely.” ―Craig Brown, The Mail on Sunday (UK)

“Jaw-droppingly wonderful… A marvelous and surprising book. The ironic, playful tone at the beginning gradates into something serious that is never pompous, something intellectually and historically complex and yet always pellucidly laid out. It left me breathless and dizzy with delight.” ―Stephen Fry, presenter of Stephen Fry in America, host of QI, and author of Moab Is My Washpot

“At once highly readable and thoroughly learned... Here is an important and original new history of the struggle to understand how language, culture, and thought are connected.” ―Joan Bybee, Distinguished Professor of Linguistics, University of New Mexico

About the Author

Guy Deutscher is the author of The Unfolding of Language. Formerly a fellow of St. John's College, Cambridge, and of the Department of Ancient Near Eastern Languages at the University of Leiden in the Netherlands, he is an honorary research fellow at the School of Languages, Linguistics and Cultures at the University of Manchester. He lives in Oxford, England.

Excerpt. © Reprinted by permission. All rights reserved.

PROLOGUE

Language, Culture, and Thought

"There are four tongues worthy of the world's use," says the Talmud: "Greek for song, Latin for war, Syriac for lamentation, and Hebrew for ordinary speech." Other authorities have been no less decided in their judgment on what different languages are good for. The Holy Roman Emperor Charles V, king of Spain, archduke of Austria, and master of several Europe an tongues, professed to speaking "Spanish to God, Italian to women, French to men, and German to my horse."

A nation's language, so we are often told, reflects its culture, psyche, and modes of thought. Peoples in tropical climes are so laid-back it's no wonder they let most of their consonants fall by the wayside. And one need only compare the mellow sounds of Portuguese with the harshness of Spanish to understand the quintessential difference between these two neighboring cultures. The grammar of some languages is simply not logical enough to express complex ideas. German, on the other hand, is an ideal vehicle for formulating the most precise philosophical profundities, as it is a particularly orderly language, which is why the Germans have such orderly minds. (But can one not hear the goose step in its gauche, humorless sounds?) Some languages don't even have a future tense, so their speakers naturally have no grasp of the future. The Babylonians would have been hard-pressed to understand Crime and Punishment, because their language used one and the same word to describe both of these concepts. The craggy fjords are audible in the precipitous intonation of Norwegian, and you can hear the dark l's of Russian in Tchaikovsky's lugubrious tunes. French is not only a Romance language but the language of romance par excellence. English is an adaptable, even promiscuous language, and Italian—ah, Italian!

Many a dinner table conversation is embellished by such vignettes, for few subjects lend themselves more readily to disquisition than the character of different languages and their speakers. And yet should these lofty observations be carried away from the conviviality of the dining room to the chill of the study, they would quickly collapse like a soufflé of airy anecdote— at best amusing and meaningless, at worst bigoted and absurd. Most foreigners cannot hear the difference between rugged Norwegian and the endless plains of Swedish. The industrious Protestant Danes have dropped more consonants onto their icy windswept soil than any indolent tropical tribe. And if Germans do have systematic minds, this is just as likely to be because their exceedingly erratic mother tongue has exhausted their brains' capacity to cope with any further irregularity. English speakers can hold lengthy conversations about forthcoming events wholly in the present tense (I'm flying to Vancouver next week . . . ) without any detectable loosening in their grip on the concepts of futurity. No language—not even that of the most "primitive" tribes—is inherently unsuitable for expressing the most complex ideas. Any shortcomings in a language's ability to philosophize simply boil down to the lack of some specialized abstract vocabulary and perhaps a few syntactic constructions, but these can easily be borrowed, just as all Europe an languages pinched their verbal philosophical tool kit from Latin, which in turn lifted it wholesale from Greek. If speakers of any tribal tongue were so minded, they could easily do the same today, and it would be eminently possible to deliberate in Zulu about the respective merits of empiricism and rationalism or to hold forth about existentialist phenomenology in West Greenlandic.

If musings on nations and languages were merely aired over aperitifs, they could be indulged as harmless, if nonsensical, diversions. But as it happens, the subject has also exercised high and learned minds throughout the ages. Philosophers of all persuasions and nationalities have lined up to proclaim that each language reflects the qualities of the nation that speaks it. In the seventeenth century, the Englishman Francis Bacon explained that one can infer "significant marks of the genius and manners of people and nations from their languages." "Everything confirms," agreed the Frenchman étienne de Condillac a century later, "that each language expresses the character of the people who speak it." His younger contemporary, the German Johann Gottfried Herder, concurred that "the intellect and the character of every nation are stamped in its language." Industrious nations, he said, "have an abundance of moods in their verbs, while more refined nations have a large amount of nouns that have been exalted to abstract notions." In short, "the genius of a nation is nowhere better revealed than in the physiognomy of its speech." The American Ralph Waldo Emerson summed it all up in 1844: "We infer the spirit of the nation in great measure from the language, which is a sort of monument to which each forcible individual in a course of many hundred years has contributed a stone."

The only problem with this impressive international unanimity is that it breaks down as soon as thinkers move on from the general principles to reflect on the particular qualities (or otherwise) of particular languages, and about what these linguistic qualities can tell about the qualities (or otherwise) of particular nations. In 1889, Emerson's words were assigned as an essay topic to the seventeen-year-old Bertrand Russell, when he was at a crammer in London preparing for the scholarship entrance exam to Trinity College, Cambridge. Russell responded with these pearls: "We may study the character of a people by the ideas which its language best expresses. French, for instance, contains such words as 'spirituel,' or 'l'esprit,' which in English can scarcely be expressed at all; whence we naturally draw the inference, which may be confirmed by actual observation, that the French have more 'esprit,' and are more 'spirituel' than the English."

Cicero, on the other hand, drew exactly the opposite inference from the lack of a word in a language. In his De oratore of 55 bc, he embarked on a lengthy sermon about the lack of a Greek equivalent for the Latin word ineptus (meaning "impertinent" or "tactless"). Russell would have concluded that the Greeks had such impeccable manners that they simply did not need a word to describe a nonexistent flaw. Not so Cicero: for him, the absence of the word was a proof that the fault was so widespread among the Greeks that they didn't even notice it.

The language of the Romans was itself not always immune to censure. Some twelve centuries after Cicero, Dante Alighieri surveyed the dialects of Italy in his De vulgari eloquentia and declared that "what the Romans speak is not so much a vernacular as a vile jargon . . . and this should come as no surprise, for they also stand out among all Italians for the ugliness of their manners and their outward appearance."

No one would dream of entertaining such sentiments about the French language, which is not only romantic and spirituel but also, of course, the paragon of logic and clarity. We have this on no lesser authority than the French themselves. In 1894, the distinguished critic Ferdinand Brunetière informed the members of the Académie française, on the occasion of his election to this illustrious institution, that French was "the most logical, the clearest, and the most transparent language that has ever been spoken by man." Brunetière, in turn, had this on the authority of a long line of savants, including Voltaire in the eighteenth century, who affirmed that the unique genius of the French language was its clearness and order. And Voltaire himself owed this insight to an astonishing discovery made a whole century earlier, in 1669, to be precise. The French grammarians of the seventeenth century had spent decades trying to understand why it was that French possessed clarity beyond all other languages in the world and why, as one member of the Académie put it, French was endowed with such clarity and precision that simply translating into it had the effect of a real commentary. In the end, after years of travail, it was Louis Le Laboureur who discovered in 1669 that the answer was simplicity itself. His painstaking grammatical researches revealed that, in contrast to speakers of other languages, "we French follow in all our utterances exactly the order of thought, which is the order of Nature." No wonder, then, that French can never be obscure. As the later thinker Antoine de Rivarol put it: "What is not clear may be English, Italian, Greek, or Latin" but "ce qui n'est pas clair n'est pas français."

Not all intellectuals of the world unite, however, in concurring with this analysis. Equally distinguished thinkers— strangely enough, mostly from outside France—have expressed different opinions. The renowned Danish linguist Otto Jespersen, for example, believed that English was superior to French in a whole range of attributes, including logic, for as opposed to French, English is a "methodical, energetic, business-like and sober language, that does not care much for finery and elegance, but does care for logical consistency." Jespersen concludes: "As the language is, so also is the nation."

Most helpful customer reviews

71 of 75 people found the following review helpful.
Kindle Users Beware!!
By West Sider
Overall this is an excellent and informative discussion of how language influences thought, and I enjoyed reading it. Unfortunately for Kindle readers, Mr. Deutscher dedicates a significant portion of the analysis to the words and perceptions of color. There are numerous references to colors in charts and diagrams that are undoubtedly easily viewed in the printed version of the book, but are either recreated in black and white or totally absent from the Kindle version. (The Kindle for Mac view does not compensate.) Had I known this, I would have refrained from buying the e-reader edition, and would have purchased the hard cover book instead. I assign an average rating of three stars as a blended evaluation; the text itself I would rate five stars; the Kindle version gets one.

0 of 0 people found the following review helpful.
Good book, fun, know what to expect and what not
By Dutiful son-in-law
Thus is a good book and a "good read", well written. Sometimes one is excited to get to a conclusion from a set of experiments. I am glad I read it. It is so that some of the reviews promised too much. Language clearly does influence how people think, but as explained iin subtle ways not yet fully understood. Some of the research is in early stages and awaits technical advances. The author is very realistic about this. So one will not fine dramatic stories of why diplomatic negotiations failed because the participants did not understand what the different languages meant. But one will learn why some cultures think differently about color or spacial orientation and how language plays a key if not controlling role in that. Read it to learn and expand your horizons, but don't expect unrealistic conclusions or explanations beyond where the field stands.

137 of 149 people found the following review helpful.
Four stars for content; minus one for Kindle deficiencies
By David M. Giltinan
The first foreign language I learned to complete fluency was German - after five years of high school German I spent a year at a German boys' boarding school. At the end of that year I was completely fluent, but noticed an odd phenomenon, that I felt like a slightly different person when I spoke German than when speaking English. Since then I've also learned Spanish to a high degree of fluency, and the same observation holds. In both cases, the main difference that I perceive has to do with humor, and the way the language I'm speaking affects my sense of humor. So I've always been interested in the extent to which language affects thought. The notion that it does is what linguists refer to as the Sapir-Whorf hypothesis. Belief in Sapir-Whorf reached its peak in the first half of the 20th century, but since then the notion that language affects cognition has been discredited by almost all mainstream linguists.

In "Through the Language Glass" Guy Deutscher mounts a careful, very limited defence of the Sapir-Whorf hypothesis. He considers three major areas - the link between language and color perception, how different languages deal with spatial orientation, and the phenomenon of differences in noun genders across different languages. His examination of the link between language and color perception is extensive and thought-provoking - he traces the development of linguistic theory on color perception from British prime minister Gladstone's commentary on the relative paucity of color terms in Homer's work, through the Berlin-Kay model (stating essentially that languages all tend to split up the color spectrum in similar ways) through very recent experiments suggesting that the existence of a particular color distinction in a language (e.g. the existence of separate terms in Russian for light and dark blue) affects the brain's ability to perceive that distinction. Deutscher's account of the evolution of linguistic theory about color perception is a tour de force of scientific writing for a general audience - it is both crystal clear and a pleasure to read.

Two factors contributed to my eventual disappointment with this book. The first is that, even after Deutscher's careful, eloquent, persuasive analysis, one's final reaction has to be a regretful "So what?" In the end, it all seems to amount to little of practical importance.

The second disappointment pertained only to the experience of reading this book on an Amazon Kindle. Reference is made throughout to a "color insert" which evidently contained several color wheels as well as up to a dozen color illustrations. This feature was completely absent from the Kindle edition, which had a severe adverse effect on the overall experience of reading this book. Obviously, this point is relevant only if you are contemplating reading the Kindle version - DON'T!

If it hadn't been for the lack of availability of key illustrations on the Kindle, I would have given the book 4 stars, but I feel obliged to deduct one because of the Kindle-related deficiencies.

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