Download PDF The Price of the Ticket: Collected Nonfiction, 1948-1985, by James Baldwin
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The Price of the Ticket: Collected Nonfiction, 1948-1985, by James Baldwin
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The works of James Baldwin constitute one of the major contributions to American literature in the twentieth century, and nowhere is this more evident than in The Price of the Ticket, a compendium of nearly fifty years of Baldwin's powerful nonfiction writing. With truth and insight, these personal, prophetic works speak to the heart of the experience of race and identity in the United States. Here are the full texts of Notes of a Native Son, Nobody Knows My Name, The Fire Next Time, No Name in the Street, and The Devil Finds Work, along with dozens of other pieces, ranging from a 1948 review of Raintree Country to a magnificent introduction to this book that, as so many of Mr. Baldwin's works do, combines his intensely private experience with the deepest examination of social interaction between the races. In a way, The Price of the Ticket is an intellectual history of the twentieth-century American experience; in another, it is autobiography of the highest order.
- Sales Rank: #312520 in Books
- Brand: St Martins Press
- Published on: 1985-09-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.50" w x 6.38" l,
- Binding: Hardcover
- 704 pages
- collected non-fiction of James Baldwin 1948-1985
From School Library Journal
YA Compiled into one volume are James Baldwin's essays from the past three decades. Except for the lead article, "The Price of the Ticket," all have been published before. The selections are arranged in chronological order and include his three book-length essays, "The Fire Next Time," "No Name in the Street" and "The Devil Finds Work." Baldwin's writings on the civil rights movement, his analysis of Richard Wright's Native Son (Harper, 1940) and his thoughts on his childhood experiences are a few of the topics in this volume. Baldwin details his hopes, his joys, his bitterness and his feelings about himself, other blacks and especially white America. The earlier works seem somewhat theatrical and histrionic, his later ones toned down to a more pure and clear style. All of them are brilliant, intense and passionate. For those collections that do not have copies of these previously published works. Pat Royal, Prince George's County Public School System, Md.
Copyright 1986 Reed Business Information, Inc.
Review
"Together, these essays document the changes and development of intellectual styles and values between the period when they were written for such magazines as New Leader and Partisan Review and the present . . . The Price of the Ticket collects much of the best work of one of our finest living writers."—Sam Cornish, The Christian Science Monitor
"James Baldwin's essays on race in America are enlightening, entertaining and, because of his remarkable prescience, a bit eerie . . . In these 51 pieces all of which appeared in magazines or previous collections, Mr. Baldwin covers a diverse range of subjects. But a theme runs through them all—many of our national ills stem from a retreat from self-knowledge. This country's mistreatment of blacks is the best symbol of the discordance between the American myth and reality, Mr. Baldwin contends."—Salim Muwakkil, The New York Times Book Review
"James Baldwin became a national figure and remained one until his death, two years before which his collected nonfiction, The Price of the Ticket, came out. Anyone wishing to take Baldwin's measure as a man and writer while, incidentally, getting a vivid picture of Harlem during World War II, must begin with this book."—William Corbett, author of New York Literary Lights
About the Author
James Baldwin's celebrated works of fiction include Go Tell It on the Mountain, Giovanni's Room, Another Century, Tell Me How Long the Train's Been Gone, If Beale Street Could Talk, Just Above My Head, and the short story collection Going to Meet the Man. He was also the author of a book of poetry, Jimmy's Blues, two dramatic works, Blues for Mister Charlie and The Amen Corner, and many works of nonfiction, including Nobody Knows My Name, The Fire Next Time, and Notes of a Native Son. Born in Harlem in 1924, he lived for many years in France, where he died in 1987.
Most helpful customer reviews
13 of 13 people found the following review helpful.
Incredibly heartfelt essays
By Scott Woods
Baldwin was a great writer, not only because he told a compelling story, but because he wanted his work to change the world he lived in and, on some levels, it did. No other example of this intention is more apprant than Baldwin's non-fiction work. His essays are timely (even now), filled with biting intelect, and brimming with his trademark ability to wind around an issue.
This book is all the more relevant because it saves you time: it collects his 3 book-length essays ("Fire Next Time", "No name In The Street" and "The Devil Finds Work"), as well as a ton of other pieces. It's almost totally comprehensive in this respect. Revealing and a more than trustworthy look at the man from his own mouth, and over the years.
17 of 18 people found the following review helpful.
Best American essayist
By Gary Britson
With the possible exception of Tom Paine and Gore Vidal, Baldwin is the finest essayist. Most of his non-fiction is here, including his groundbreaking essay "Fifth Avenue, Uptown," the best single essay I have ever read. Of special interest, as one who enjoys movie criticism, is the entire book "The Devil Finds Work," in which Baldwin happily takes apart a number of American classic films. I was never wild about Baldwin's fiction, but no one could top him as an essayist. If you are buying one American non-fiction book, this should be the one.
10 of 10 people found the following review helpful.
The Best Writer Few Seem to Know
By William Alexander
James Baldwin is one of the most straightforward but complex American writers I have ever encountered. Best known for his groundbreaking works like "Giovanni's Room" and "I Don't Know How Long the Train's Been Gone," these essays - fascinating ruminations on race, gender, sexuality, cinema, and sometimes just the nature of fame itself - are artfully assembled. In this book, cover to cover, you see the work of a true intellectual - someone who evolves in his thinking as the years go by, someone whose even most casual observation is fraught with meaning because of an almost tragic refusal to "see" things for what anything other than what they are. Baldwin himself was a controversial figure - African American man of letters, gay, steeped in the culture of both the Haarlem Renaissance, the ecstatic church, and post-war Paris, a civil rights lion who was still unafraid to discuss the contradictions of a movement he feared would tear itself apart. But his writing is almost like reading the work of a magician, remarkable in its "passionate dispassion" and unflinching willingness to deal with subjects from his own unique point(s) of view, subjects others would eschew or refuse to touch. He is not a "comfortable" writer. His was an intellect and achievement that does the near impossible - deals with themes most "human" and yet seemingly transcends those very limitations, limitations that would have felled a lesser artist. At his best, he even achieves an eerie prescience, and not in some generalized fashion. His prose is not compromising.
I also note that some of Mr. Baldwin's lectures and interviews are now on YouTube. And those make great companions to any reading of his works.
I recommend this book without reservation. The work of a unique American "master" performing at his absolute best.
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