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Alice Neel: The Art of Not Sitting Pretty, by Phoebe Hoban
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Alice Neel liked to say that she was the century and in many ways she was. She was born into a proper Victorian family, and came of age during suffrage. The quintessential Bohemian, she spent more than half a century, from her early days as a WPA artist living in the heart of the Village, through her Whitney retrospective in 1974, until her death ten years later, painting, often in near-obscurity, an extraordinarily diverse population―from young black sisters in Harlem to the elderly Jewish twin artists, Raphael and Moses Soyer, to Meyer Schapiro and Linus Pauling, to the American Communist Party chairman Gus Hall―creating an indelible portrait of 20th century America.
Neel's hundreds of portraits portray a universe of powerful personalities and document an age. Neel painted through the Depression, McCarthyism, the Civil Rights Movement, the sexual revolution of the 60's, feminism, and the feverish eighties. Fiercely democratic in her subjects, she portrayed her lovers, her children, her neighbors in Spanish Harlem, pregnant nudes, crazy people, and famous figures in the art world, all in a searing, psychological style uniquely her own. From Village legend Joe Gould with multiple penises to Frank O'Hara as a lyrical young poet, from porn star Annie Sprinkle gussied up in leather, to her own anxious, nude pregnant daughter-in-law, Neel's portraits are as arrestingly executed as they are relentlessly honest.
In this first full-length biography of Neel, best-selling author Phoebe Hoban recounts the remarkable story of Neel's life and career, as full of Sturm and Drang as the century she powerfully captured in paint. Neel managed to transcend her often tragic circumstances, surviving the death from diphtheria of her infant daughter Santillana, her first child by the renowned Cuban painter Carlos Enriquez, with whom she lived in Havana for a year before returning to America; the break-up of her marriage; a nervous breakdown at thirty resulting in several suicide attempts for which she was institutionalized; and the terrible separation from her second child, Isabetta, whom Carlos took back to Havana.
In every aspect of her life, Neel dictated her own terms―from defiantly painting figurative pieces at the height of Abstract Expressionism, convincing her subjects to disrobe (which many of them did, including, surprisingly, Andy Warhol) to becoming a single mother to the two sons she bore to dramatically different partners. No wonder she became the de facto artist of the Feminist movement. (When Time magazine put Kate Millet on its cover in 1970, she was asked to paint the portrait.) Very much in touch with her time, Neel was also always ahead of it. Although she herself would probably have rejected such label, she was America's first feminist, multicultural artist, a populist painter for the ages.
Phoebe Hoban's Alice Neel: The Art of Not Sitting Pretty tells the unforgettable story of a woman who forged a permanent place in the pantheon by courageously flaunting convention, both in her life and her work.
- Sales Rank: #163142 in Books
- Published on: 2010-12-07
- Released on: 2010-12-07
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.31" w x 6.00" l, 1.65 pounds
- Binding: Hardcover
- 512 pages
From Publishers Weekly
Hoban's (Basquiat: A Quick Killing in Art) latest biography is a sweeping portrait of a colorful subject, the painter Alice Neel. It is also an effective cultural history of the artistic and political scene in 20th-century New York. This well-documented work brings to life a "collector of souls" whose passion for painting the human figure at a time when abstraction was the rage resulted in years of financial hardship and obscurity. Neel emerges as a resolute survivor who lived by her convictions, both aesthetically and politically. A single mother committed to a bohemian lifestyle, Neel was also a supporter of political movements that ranged from Communism to feminism. While this biography suffers at times from overly detailed accounts of the supporting players in Neel's life and from the author's occasional repetition, it is immensely absorbing, and soars at the end as Neel, in the later decades of her life, finally receives "the recognition she so long deserved." Photos.
(c) Copyright PWxyz, LLC. All rights reserved.
From Booklist
*Starred Review* Arts journalist and trailblazing biographer Hoban (Basquiat: A Quick Killing in Art, 1998) is the first to tell the story of artist Alice Neel (1900–1984) in full. Determined, brainy, beautiful, self-absorbed, and profoundly unconventional, Neel “radicalized portraiture” in penetrating, often unnerving paintings of a diverse spectrum of individuals, from her neighbors in Spanish Harlem to Andy Warhol, baring his bullet wounds. Having gained access to heretofore private and stunningly illuminating materials, Hoban is commanding and entrancing as she chronicles Neel’s contrary temperament and tempestuous life. Neel’s marriage to Cuban artist Carlos Enríquez was passionate and doomed, and her brief spell with his wealthy family in Havana was followed by interminable struggles in New York. Neel barely survived poverty, the loss of children, suicidal depression, the destruction of several hundred of her drawings and paintings by a jealous lover, and a torrent of other traumas and tragedies. Yet she kept painting, achieving an “idiosyncratic blend of Expressionism, Symbolism and Surrealism often sharpened with satire.” Hoban writes with remarkable detail, vigor, and insight about Neel’s stint as a WPA artist, complex relationships, focus on social justice, obscurity during the abstract-expressionist years, and phoenixlike rebirth in the 1960s. Judicious and ardent, Hoban has created a galvanizing portrait of a “rebel artist” who remained true to her humanist convictions. --Donna Seaman
Review
“Phoebe Hoban's biography of Alice Neel: The Art of Not Sitting Pretty is terrific. It is not only an engrossing narrative, it's Hoban's singular achievement that she gives both an appreciation of Neel's provocative art and a deep compassion for Neel the woman, too.” ―Patricia Bosworth author of DIANE ARBUS, a biography
“Phoebe Hoban's biography of the iconoclast Alice Neel, rich in details and highly readable, should do much to establish Neel for a new generation as a powerful figurative painter and counter-figure to the male-dominated world of the Abstract Expressionists. What emerges here is the compelling tale of a proto-feminist, pre-hippie hippie and uncompromising artist who only towards the end of her career received widespread recognition, most notably from her portrait of Kate Millet on the cover of Time, which became the face of women's liberation.” ―Annalyn Swan, co-author of de Kooning: An American Master
Most helpful customer reviews
18 of 18 people found the following review helpful.
History + Art = much more than Art History
By elldeeNYC
"I am the century," Alice Neel was know to say of herself. An eventful century it was, In Phoebe Hoban's biography her story unfolds in an America experiencing great change on so many levels, not only relating to art but society, gender, the economy, family...If it makes up a life, it is in this compelling book. And like any good read, it will leave you thinking about important issues far beyond it's subject.
Hoban does not tell us what Neel was about, she shows us her life and lets us find and understand for ourselves the woman - wife, lover, mother, artist, bohemian - behind the paintings that so captivate us. ( Of course there are many images of these wonderful works included) Neel would forgive Hoban for not washing over the truth - she never did so herself. An honest story of art and personality, how the world shaped Alice Neel, and she returned the favor.
10 of 11 people found the following review helpful.
Game Changer
By Kate
A feminist heroine well ahead of her time, Alice Neel dispelled the idea of a woman as muse, the mere object of the male gaze. She instead became the artist, the one who gazed, and practised her own unique and acute investigations into the psyches of each of her subjects and the age in which they lived. Hoban well captures the enigma and complexity of this masterful artist who, through the daily pursuit of her passion, and despite the vicissitudes of her own personal life, manages to paint one of the most compelling and disquieting portraits of the 20th century.
15 of 19 people found the following review helpful.
Well-written and readable bio
By N. NATALE
Unlike many biographies, this one reads nicely with a lot of detail and doesn't really bog down into a list of facts until after Neel found success. It gave me a real sense of what went on in Neel's life and the development of her work. While the biographer seems adulatory, she also paints a picture of someone who seems to have had a narcissistic personality disorder. The way Neel neglected her kids and/or allowed them to be abused is really horrible and upsetting. After reading about that, I couldn't feel much empathy for her.
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