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Clotel; or The President's Daughter (1853), the first published novel by an African American, has recently emerged as a canonical text for courses in African American as well as nineteenth-century American literature courses. The story was inspired by the rumored sexual relationship between Thomas Jefferson and his slave Sally Hemings, and this edition of Clotel is the only one to reprint selections from the key texts and cultural documents that Brown drew on (and even appropriated) when he wrote his novel. The streamlined second edition includes an updated introduction that incorporates the explosion of scholarship on the novel over the past decade, when proof of the relationship between Jefferson and Hemings emerged. In addition to their attention to this relationship, the cultural documents focus more directly on the texts about slavery and race that Brown drew on, and on Brown's own controversial approach to writing and revising Clotel.
- Sales Rank: #354227 in Books
- Published on: 2010-12-22
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .58" w x 5.49" l, .88 pounds
- Binding: Paperback
- 448 pages
About the Author
ROBERT S. LEVINE is Professor of English and Distinguished Scholar-Teacher at the University of Maryland, College Park. He is the editor of a number of volumes, including Martin R. Delany: A Documentary Reader and Frederick Douglass and Herman Melville: Essays in Relation. His books include Martin Delany, Frederick Douglass, and the Politics of Representative Identity and Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism.
Most helpful customer reviews
6 of 6 people found the following review helpful.
rediscovered classic, gets the treatment it deserves
By Orrin C. Judd
This, reader, is an unvarnished narrative of one doomed by the laws of the Southern States to be a slave. It tells not only its own story of grief, but speaks of a thousand wrongs and woes beside, which never see the light; all the more bitter and dreadful, because no help can relieve, no sympathy can mitigate, and no hope can cheer. -William Wells Brown, Clotel, or The President's Daughter
Clotel would have historic interest simply by virtue of the fact that William Wells Brown appears to have been the first African American to write a novel. But it's not merely a literary curiosity; it is also an eminently readable and emotionally powerful, if forgivably melodramatic, portrait of the dehumanizing horrors of slave life in the Ante-bellum South. Brown, himself an escaped slave, tells the story of the slave Currer and her daughters, Clotel and Althesa, and of their attempts to escape from slavery. The central conceit of the story is that the unacknowledged father of the girls is Thomas Jefferson himself.
There is an immediacy to the stories here--of slave auctions, of families being torn apart, of card games where humans are wagered and lost, of sickly slaves being purchased for the express purpose of resale for medical experimentation upon their imminent deaths, of suicides and of many more indignities and brutalities--which no textbook can adequately convey. Though the characters tend too much to the archetypal, Brown does put a human face on this most repellent of American tragedies. He also makes extensive use (so extensive that he has been accused, it seems unfairly, of plagiarism) of actual sermons, lectures, political pamphlets, newspaper advertisements, and the like, to give the book something of a docudrama effect.
The Bedford Cultural Edition of the book, edited by Robert S. Levine, has extensive footnotes and a number of helpful essays on Brown and on the sources, even reproducing some of them verbatim. Overall, it gives the novel the kind of serious presentation and treatment which it deserves, but for obvious reasons has not received in the past. Brown's style is naturally a little bit dated and his passions are too distant for us to feel them immediately, but as you read the horrifying scenes of blacks being treated like chattel, you quickly come to share his moral outrage at this most shameful chapter in our history.
GRADE : B
12 of 13 people found the following review helpful.
An exquisite piece of literature!
By claimingkin
The genre of African-American fiction began in 1853 with the publication of this historical novel in England. Even though William Wells Brown, a fugitive slave from America, wrote four versions of this story, the first version was not published in the United States until 1969. The reason this novel was not introduced into American society until this time was because of its reference to the relationship Thomas Jefferson had with his slave, Sally Hemmings. The idea that Sally bore him children, which he sold as slaves, was enough to keep this novel out of the American public's eye forever! Still, this novel found its way here and in later versions, Jefferson's connection to Sally vanished all together. This novel centers on three main characters: Currer, a slave who was once Thomas Jefferson's housekeeper and mistress, and their two daughters, Clotel and Althesa.
The separation of Currer and her two daughters in the beginning of the story provides the actual framework of this novel. Through this separation, Brown is able to create three separate story lines united by the institution of slavery.
The first story line involves Currer's life as a concubine of Thomas Jefferson and later a slave to a Reverend John Peck. Through her life, Brown presents the hypocrisy of the slave owner owning another human being as well as some Christians' biblical approval of it. Brown uses the second story line of Clotel and her relationship with Horatio Green, to depict how vulnerable and hopeless life was for black women under slavery. Horatio adores Clotel so much that he provides her with a home of her own to raise their daughter, Mary. But Horatio desperately wants to further his political career and does so by marrying a white woman by the name of Gertrude. Feeling jealous and threatened by Clotel's presence, Gertrude sells Mary into slavery. The final story line involves the fate of Althesa. Like her sister, Althesa is a concubine to her master Henry Morton. But Morton later marries her and is a loving father to their two children. Even though Althesa experiences true love through marriage and was able to raise her children, the actual tragedy of her situation lies in what happens to her children. Through Althesa's story, Brown proves how her free rank in marriage did not grant freedom for her daughters, which continually shows slavery's disruption of the black family unit.
CLOTEL, though considered melodramatic by some, is an exquisite piece of literature. Its importance is not only tied to the fact that it is the first published work of its kind in this genre, but gives readers a glimpse into the English language used by black people at that time. I think this novel was an excellent start for the genre of African American literature.
0 of 4 people found the following review helpful.
Louisiana
By LTwoodson
This story is very interesting as we are descendants of Sally Hemings and Thomas Jefferson, whose relationship, the historians attempted to erase from history. The only problem with that is they left 1800+ descendants.
It is a good story that should not be discounted because it was not written about by the so call established historians.
As the Dred Scott papers appeared today on line. Many many stories are stillout there that could intrugue us about our county's past
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